{"id":{"repo_id":"texas-state","oai_identifier":"oai:digital.library.txst.edu:10877/21655"},"canonical_url":"https://search.dev.ndltd.org/etd/texas-state/oai:digital.library.txst.edu:10877/21655","repository":{"repo_id":"texas-state","name":"Texas State University","base_url":"https://digital.library.txst.edu/server/oai/request"},"display":{"title":"Dead Presidents to Represent Me? Hip-Hop's Conflicted Legacy of Power and Protest","abstract":"Hip-hop has long served as a voice for marginalized communities, addressing issues such as systemic racism, economic inequality, and political oppression. From its early days with artists like Public Enemy, 2Pac, and N.W.A. to its modern mainstream dominance, the genre has shaped and been shaped by political discourse. This project examines hip-hop’s evolving relationship with politics across three distinct presidential eras: the Bush administration’s antigovernment sentiment, the hope and skepticism surrounding Obama’s presidency, and the complex shifts in artist allegiances during the Trump era. By analyzing key songs, artist statements, and cultural moments, this research highlights the ways hip-hop has both challenged and conformed to political shifts, questioning whether the genre still upholds its activist roots or has succumbed to commercial and ideological shifts.","abstract_html":"Hip-hop has long served as a voice for marginalized communities, addressing issues such as systemic racism, economic inequality, and political oppression. From its early days with artists like Public Enemy, 2Pac, and N.W.A. to its modern mainstream dominance, the genre has shaped and been shaped by political discourse. This project examines hip-hop’s evolving relationship with politics across three distinct presidential eras: the Bush administration’s antigovernment sentiment, the hope and skepticism surrounding Obama’s presidency, and the complex shifts in artist allegiances during the Trump era. By analyzing key songs, artist statements, and cultural moments, this research highlights the ways hip-hop has both challenged and conformed to political shifts, questioning whether the genre still upholds its activist roots or has succumbed to commercial and ideological shifts.","abstract_has_math":false,"creators":["Cortez, Marcus"],"institution":"Texas State University","degree_name":null,"degree_level":null,"degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":["Leake, Eric"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-05","date_published":"2025-05","updated_at":"2026-07-27T21:22:55Z","subjects":["hip-hop politics","power","protest"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10877/21655","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Leake, Eric"]},{"key":"dc:creator","label":"Author","values":["Cortez, Marcus"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-28T16:17:49Z"]},{"key":"dc:date.issued","label":"Date","values":["2025-05"]},{"key":"dc:type","label":"Dc Type","values":["Capstone"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Texas State University"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["hip-hop politics","power","protest"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10877/21655"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Hip-hop has long served as a voice for marginalized communities, addressing issues such as systemic racism, economic inequality, and political oppression. From its early days with artists like Public Enemy, 2Pac, and N.W.A. to its modern mainstream dominance, the genre has shaped and been shaped by political discourse. This project examines hip-hop’s evolving relationship with politics across three distinct presidential eras: the Bush administration’s antigovernment sentiment, the hope and skepticism surrounding Obama’s presidency, and the complex shifts in artist allegiances during the Trump era. By analyzing key songs, artist statements, and cultural moments, this research highlights the ways hip-hop has both challenged and conformed to political shifts, questioning whether the genre still upholds its activist roots or has succumbed to commercial and ideological shifts."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:format.medium","label":"Dc Format Medium","values":["1 file (.pdf)"]},{"key":"dc:title","label":"Title","values":["Dead Presidents to Represent Me? Hip-Hop's Conflicted Legacy of Power and Protest"]}]}],"canonical_facts":{"dc:contributor.advisor":["Leake, Eric"],"dc:creator":["Cortez, Marcus"],"dc:date.accessioned":["2025-07-28T16:17:49Z"],"dc:date.issued":["2025-05"],"dc:description.abstract":["Hip-hop has long served as a voice for marginalized communities, addressing issues such as systemic racism, economic inequality, and political oppression. From its early days with artists like Public Enemy, 2Pac, and N.W.A. to its modern mainstream dominance, the genre has shaped and been shaped by political discourse. This project examines hip-hop’s evolving relationship with politics across three distinct presidential eras: the Bush administration’s antigovernment sentiment, the hope and skepticism surrounding Obama’s presidency, and the complex shifts in artist allegiances during the Trump era. By analyzing key songs, artist statements, and cultural moments, this research highlights the ways hip-hop has both challenged and conformed to political shifts, questioning whether the genre still upholds its activist roots or has succumbed to commercial and ideological shifts."],"dc:format":["Text"],"dc:format.medium":["1 file (.pdf)"],"dc:identifier.uri":["https://hdl.handle.net/10877/21655"],"dc:language.iso":["en"],"dc:subject":["hip-hop politics","power","protest"],"dc:title":["Dead Presidents to Represent Me? Hip-Hop's Conflicted Legacy of Power and Protest"],"dc:type":["Capstone"],"thesis:degree_discipline":["English"],"thesis:institution_name":["Texas State University"]},"updated_at":"2026-07-27T21:22:55Z"}