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Temple University. Libraries

JAZZ’S HIDDEN TRANSCRIPTS: BETWEEN CALIBAN AND COLTRANE CRITICAL IMPROVISATIONAL PEDAGOGY AS PRAGMATIC POLITICS

Abstract

dc:description.abstract

This project addresses problems of political disengagement, social exclusion, multi-generational poverty, and social injustice in communities left behind by an incomplete democracy, now in acute crisis. Using jazz improvisation as a metaphor for Dewey’s ideals for a thriving and creative American democracy, this normative critical theory and pedagogy is part of a multi-pronged approach to radical democratic reform. Building on theories of humanistic prophetic pragmatism, critical pedagogy, and democratic theory, and suffused with critical race feminism, this critical approach begins with individual transformation, critical consciousness, and agency of marginalized citizens, through critical improvisational pedagogy. The approach seeks to prepare more diverse voices for active democratic deliberation and effective participation in democratic public spaces of input, negotiation, and challenge for the issues that affect marginalized people. The project creates an architecture, a basic template, and an operationalization strategy for the development of centers of critical improvisational pedagogy for the transmission of critical knowledge, mentoring, community support, and apprenticeships through culturally appropriate arts and cultural programming in accessible local community sites. Key Words: critical improvisational pedagogy, prophetic pragmatism, critical feminist theory, radical democratic reform, jazz imaginary, critical consciousness

Degree

thesis:*
Grantor dc:publisher
Temple University. Libraries
Year dc:date.issued
2022

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Alunan, Susan Catherine
Advisor dc:contributor.advisor
  • Davis, Heath Fogg
Committee members dc:contributor.committeemember
  • Crawford, Nyron
  • Goldin-Perschbacher, Shana
  • Kidd, Dustin

Subjects

dc:subject × 7

Rights

dc:rights
Statement dc:rights
  • IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available.
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/20.500.12613/8029
OAI identifier oai:identifier
oai:scholarshare.temple.edu:20.500.12613/8029

Chain of custody

source
Harvested from
Temple University
Base URL
scholarshare.temple.edu/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Alunan, Susan Catherine. JAZZ’S HIDDEN TRANSCRIPTS: BETWEEN CALIBAN AND COLTRANE CRITICAL IMPROVISATIONAL PEDAGOGY AS PRAGMATIC POLITICS. Temple University. Libraries, 2022. http://hdl.handle.net/20.500.12613/8029