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University of South Carolina
Scriabin's Harmonic Language: Manifestations of Symmetry In Opus 52 and A Transcription For Chamber Orchestra
Abstract
dc:description.abstract<p>This document is dedicated to the Russian composer Alexander Scriabin and his unique harmonic language. Notion of symmetry and its numerous manifestations will be the primary focus and lenses through which Scriabin's harmonic language will be explored in greater detail. The piano cycle <em>Trois Morceaux</em>, Opus 52 has been chosen as an exemplary work for the analysis. Finally, transcription of the <em>Trois Morceaux</em>, Opus 52 for chamber orchestra will conclude this work.</p>
Degree
thesis:*- Name thesis:degree_name
- D.M.A.
- Level thesis:degree_level
- Campus Access Dissertation
- Discipline thesis:degree_discipline
- School of Music
- Year
- 2010
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Pavlovsky, Suzanna
- Contributors dc:contributor
-
- Daniel Jenkins
- Donald Portnoy
Subjects
dc:subject × 6Rights
dc:rights- Statement dc:rights
-
- © 2010, Suzanna Pavlovsky
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://scholarcommons.sc.edu/etd/236
- OAI identifier oai:identifier
- oai:scholarcommons.sc.edu:etd-1237