This document is dedicated to the Russian composer Alexander Scriabin and his unique harmonic language. Notion of symmetry and its numerous manifestations will be the primary focus and lenses through which Scriabin's harmonic language will be explored in greater detail. The piano cycle Trois Morceaux, Opus 52 has been chosen as an exemplary work for the analysis. Finally, transcription of the Trois Morceaux, Opus 52 for chamber orchestra will conclude this work.
","abstract_html":"<p>This document is dedicated to the Russian composer Alexander Scriabin and his unique harmonic language. Notion of symmetry and its numerous manifestations will be the primary focus and lenses through which Scriabin's harmonic language will be explored in greater detail. The piano cycle <em>Trois Morceaux</em>, Opus 52 has been chosen as an exemplary work for the analysis. Finally, transcription of the <em>Trois Morceaux</em>, Opus 52 for chamber orchestra will conclude this work.</p>","abstract_has_math":false,"creators":["Pavlovsky, Suzanna"],"institution":null,"degree_name":"D.M.A.","degree_level":"Campus Access Dissertation","degree_discipline":"School of Music","degree_department":null,"school":null,"contributors":["Daniel Jenkins","Donald Portnoy"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-01-01T08:00:00Z","date_published":"2010-01-01T08:00:00Z","updated_at":"2026-07-24T04:37:14Z","subjects":["Arts and Humanities","Music","Harmonic Language","Music Theory","Scriabin","Symmetry"],"languages":[],"rights":["© 2010, Suzanna Pavlovsky"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholarcommons.sc.edu/etd/236","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Daniel Jenkins","Donald Portnoy"]},{"key":"dc:creator","label":"Author","values":["Pavlovsky, Suzanna"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["School of Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Campus Access Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["D.M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arts and Humanities","Music","Harmonic Language","Music Theory","Scriabin","Symmetry"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© 2010, Suzanna Pavlovsky"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarcommons.sc.edu/etd/236"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This document is dedicated to the Russian composer Alexander Scriabin and his unique harmonic language. Notion of symmetry and its numerous manifestations will be the primary focus and lenses through which Scriabin's harmonic language will be explored in greater detail. The piano cycle Trois Morceaux, Opus 52 has been chosen as an exemplary work for the analysis. Finally, transcription of the Trois Morceaux, Opus 52 for chamber orchestra will conclude this work.
"]},{"key":"dc:title","label":"Title","values":["Scriabin's Harmonic Language: Manifestations of Symmetry In Opus 52 and A Transcription For Chamber Orchestra"]}]}],"canonical_facts":{"dc:contributor":["Daniel Jenkins","Donald Portnoy"],"dc:creator":["Pavlovsky, Suzanna"],"dc:description.abstract":["This document is dedicated to the Russian composer Alexander Scriabin and his unique harmonic language. Notion of symmetry and its numerous manifestations will be the primary focus and lenses through which Scriabin's harmonic language will be explored in greater detail. The piano cycle Trois Morceaux, Opus 52 has been chosen as an exemplary work for the analysis. Finally, transcription of the Trois Morceaux, Opus 52 for chamber orchestra will conclude this work.
"],"dc:identifier":["https://scholarcommons.sc.edu/etd/236"],"dc:rights":["© 2010, Suzanna Pavlovsky"],"dc:subject":["Arts and Humanities","Music","Harmonic Language","Music Theory","Scriabin","Symmetry"],"dc:title":["Scriabin's Harmonic Language: Manifestations of Symmetry In Opus 52 and A Transcription For Chamber Orchestra"],"thesis:degree_discipline":["School of Music"],"thesis:degree_level":["Campus Access Dissertation"],"thesis:degree_name":["D.M.A."]},"updated_at":"2026-07-24T04:37:14Z"}