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University of Plymouth

Representations of War and Conflict in the Painting of Gustave Doré

Abstract

dc:description.abstract

The project, using the working title Representations of War and Conflict in the Painting of Gustave Doré, proposes to explore one of Gustave Doré’s little-known, but extensive oeuvres in painting. That is, the artist’s representation of conflict through the modes of history painting and allegory. With an initial chapter, Doré’s successful debut as a politicised painter and pamphleteer during the Crimean War will be outlined, contextualising the focus of the two following chapters, which cover his artistic output during the Franco-Prussian War of 1870 – 71. The exploration of this largely unaccounted-for aspect of Doré’s career is to the greatest extent facilitated by a new engagement with his earliest, and only contemporary French biographer, René Delorme. Delorme’s text, part-biography, part-catalogue raisonné and part-invitation for the purchase of his art, will be incorporated as an invaluable primary source from both an art biographer, and one of the very few native commentaries on Doré.

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Tym, Sebastian
Contributors dc:contributor
  • Jenny Graham, Jody Patterson

Subjects

dc:subject × 5

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Repository record dc:identifier
https://pearl.plymouth.ac.uk/foahb-theses-other/341
OAI identifier oai:identifier
oai:pearl.plymouth.ac.uk:foahb-theses-other-1340

Chain of custody

source
Harvested from
University of Plymouth
Base URL
pearl.plymouth.ac.uk/do/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Tym, Sebastian. Representations of War and Conflict in the Painting of Gustave Doré. 2019. https://pearl.plymouth.ac.uk/foahb-theses-other/341