{"id":{"repo_id":"plymouth","oai_identifier":"oai:pearl.plymouth.ac.uk:foahb-theses-other-1340"},"canonical_url":"https://search.dev.ndltd.org/etd/plymouth/oai:pearl.plymouth.ac.uk:foahb-theses-other-1340","repository":{"repo_id":"plymouth","name":"University of Plymouth","base_url":"https://pearl.plymouth.ac.uk/do/oai"},"display":{"title":"Representations of War and Conflict in the Painting of Gustave Doré","abstract":"The project, using the working title Representations of War and Conflict in the Painting of Gustave Doré, proposes to explore one of Gustave Doré’s little-known, but extensive oeuvres in painting. That is, the artist’s representation of conflict through the modes of history painting and allegory. With an initial chapter, Doré’s successful debut as a politicised painter and pamphleteer during the Crimean War will be outlined, contextualising the focus of the two following chapters, which cover his artistic output during the Franco-Prussian War of 1870 – 71. The exploration of this largely unaccounted-for aspect of Doré’s career is to the greatest extent facilitated by a new engagement with his earliest, and only contemporary French biographer, René Delorme. Delorme’s text, part-biography, part-catalogue raisonné and part-invitation for the purchase of his art, will be incorporated as an invaluable primary source from both an art biographer, and one of the very few native commentaries on Doré.","abstract_html":"The project, using the working title Representations of War and Conflict in the Painting of Gustave Doré, proposes to explore one of Gustave Doré’s little-known, but extensive oeuvres in painting. That is, the artist’s representation of conflict through the modes of history painting and allegory. With an initial chapter, Doré’s successful debut as a politicised painter and pamphleteer during the Crimean War will be outlined, contextualising the focus of the two following chapters, which cover his artistic output during the Franco-Prussian War of 1870 – 71. The exploration of this largely unaccounted-for aspect of Doré’s career is to the greatest extent facilitated by a new engagement with his earliest, and only contemporary French biographer, René Delorme. Delorme’s text, part-biography, part-catalogue raisonné and part-invitation for the purchase of his art, will be incorporated as an invaluable primary source from both an art biographer, and one of the very few native commentaries on Doré.","abstract_has_math":false,"creators":["Tym, Sebastian"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Jenny Graham, Jody Patterson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-01-01T08:00:00Z","date_published":"2019-01-01T08:00:00Z","updated_at":"2026-07-24T03:48:35Z","subjects":["Doré","Franco-Prussian War","Napoleon III","History Painting","Crimean War"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://pearl.plymouth.ac.uk/foahb-theses-other/341","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Jenny Graham, Jody Patterson"]},{"key":"dc:creator","label":"Author","values":["Tym, Sebastian"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2019-01-01T08:00:00Z"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Doré","Franco-Prussian War","Napoleon III","History Painting","Crimean War"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://pearl.plymouth.ac.uk/foahb-theses-other/341"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The project, using the working title Representations of War and Conflict in the Painting of Gustave Doré, proposes to explore one of Gustave Doré’s little-known, but extensive oeuvres in painting. That is, the artist’s representation of conflict through the modes of history painting and allegory. With an initial chapter, Doré’s successful debut as a politicised painter and pamphleteer during the Crimean War will be outlined, contextualising the focus of the two following chapters, which cover his artistic output during the Franco-Prussian War of 1870 – 71. The exploration of this largely unaccounted-for aspect of Doré’s career is to the greatest extent facilitated by a new engagement with his earliest, and only contemporary French biographer, René Delorme. Delorme’s text, part-biography, part-catalogue raisonné and part-invitation for the purchase of his art, will be incorporated as an invaluable primary source from both an art biographer, and one of the very few native commentaries on Doré."]},{"key":"dc:title","label":"Title","values":["Representations of War and Conflict in the Painting of Gustave Doré"]}]}],"canonical_facts":{"dc:contributor":["Jenny Graham, Jody Patterson"],"dc:creator":["Tym, Sebastian"],"dc:date.issued":["2019-01-01T08:00:00Z"],"dc:description.abstract":["The project, using the working title Representations of War and Conflict in the Painting of Gustave Doré, proposes to explore one of Gustave Doré’s little-known, but extensive oeuvres in painting. That is, the artist’s representation of conflict through the modes of history painting and allegory. With an initial chapter, Doré’s successful debut as a politicised painter and pamphleteer during the Crimean War will be outlined, contextualising the focus of the two following chapters, which cover his artistic output during the Franco-Prussian War of 1870 – 71. The exploration of this largely unaccounted-for aspect of Doré’s career is to the greatest extent facilitated by a new engagement with his earliest, and only contemporary French biographer, René Delorme. Delorme’s text, part-biography, part-catalogue raisonné and part-invitation for the purchase of his art, will be incorporated as an invaluable primary source from both an art biographer, and one of the very few native commentaries on Doré."],"dc:identifier":["https://pearl.plymouth.ac.uk/foahb-theses-other/341"],"dc:language":["eng"],"dc:subject":["Doré","Franco-Prussian War","Napoleon III","History Painting","Crimean War"],"dc:title":["Representations of War and Conflict in the Painting of Gustave Doré"],"dc:type":["Thesis"]},"updated_at":"2026-07-24T03:48:35Z"}