Análisis de lo fantástico y las transiciones femeninas en el cine de Roman Polanski: "Repulsión" (1965) y "El bebé de Rosemary" (1968)

The present work focuses on the study between the "fantastic" and the transits of the feminine imaginary in the cinema of the director Roman Polanski, taking as objects of analysis the films Repulsion (1965), and Rosemary's Baby (1968). In both, the development of fantastic fiction highlights the experiences of the protagonists' hallucination while they are in a liminal situation. One of them, the experience of isolation and erotic repression in a London apartment. The other, the process of maternal gestation in an environment that fills her with concerns. They, in their liminal transit, face visions or hallucinations that could be explained as products of a mental disorder or as manifestations of something supernatural, which roots both films in the concept of the "fantastic" proposed by theorist Tzvetan Todorov

Name thesis:degree_name

Licenciado en Comunicación

Level thesis:degree_level

Título Profesional

Discipline thesis:degree_discipline

Comunicación

Grantor dc:publisher

Universidad de Lima

Year dc:date.issued

2022

Author dc:creator

• Huapaya Villacampa, Maria Fernanda

Advisor dc:contributor.advisor

• Bedoya Wilson, Ricardo Humberto

• Peliculas cinematográficas
• Mujeres
• Cine fantástico
• Motion pictures
• Women
• Fantasy films

Statement dc:rights

• info:eu-repo/semantics/openAccess

Licence dc:rights.uri

• https://creativecommons.org/licenses/by-nc-sa/4.0/

Language dc:language.iso

spa

Handle dc:identifier.uri

https://hdl.handle.net/20.500.12724/16466

OAI identifier oai:identifier

oai:repositorio.ulima.edu.pe:20.500.12724/16466