{"id":{"repo_id":"lima","oai_identifier":"oai:repositorio.ulima.edu.pe:20.500.12724/16466"},"canonical_url":"https://search.dev.ndltd.org/etd/lima/oai:repositorio.ulima.edu.pe:20.500.12724/16466","repository":{"repo_id":"lima","name":"Universidad de Lima","base_url":"https://repositorio.ulima.edu.pe/oai/request"},"display":{"title":"Análisis de lo fantástico y las transiciones femeninas en el cine de Roman Polanski: \"Repulsión\" (1965) y \"El bebé de Rosemary\" (1968)","abstract":"The present work focuses on the study between the \"fantastic\" and the transits of the feminine imaginary in the cinema of the director Roman Polanski, taking as objects of analysis the films Repulsion (1965), and Rosemary's Baby (1968). In both, the development of fantastic fiction highlights the experiences of the protagonists' hallucination while they are in a liminal situation. One of them, the experience of isolation and erotic repression in a London apartment. The other, the process of maternal gestation in an environment that fills her with concerns. They, in their liminal transit, face visions or hallucinations that could be explained as products of a mental disorder or as manifestations of something supernatural, which roots both films in the concept of the \"fantastic\" proposed by theorist Tzvetan Todorov","abstract_html":"The present work focuses on the study between the "fantastic" and the transits of the feminine imaginary in the cinema of the director Roman Polanski, taking as objects of analysis the films Repulsion (1965), and Rosemary's Baby (1968). In both, the development of fantastic fiction highlights the experiences of the protagonists' hallucination while they are in a liminal situation. One of them, the experience of isolation and erotic repression in a London apartment. The other, the process of maternal gestation in an environment that fills her with concerns. 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In both, the development of fantastic fiction highlights the experiences of the protagonists' hallucination while they are in a liminal situation. One of them, the experience of isolation and erotic repression in a London apartment. The other, the process of maternal gestation in an environment that fills her with concerns. They, in their liminal transit, face visions or hallucinations that could be explained as products of a mental disorder or as manifestations of something supernatural, which roots both films in the concept of the \"fantastic\" proposed by theorist Tzvetan Todorov","El presente trabajo se centra en el estudio entre lo “fantástico” y los tránsitos del imaginario femenino en el cine del realizador Roman Polanski, tomando como objetos de análisis las películas Repulsión (1965), y El bebé de Rosemary (1968). En ambas, el desarrollo de la ficción fantástica pone de relieve las experiencias de la alucinación de las protagonistas mientras se hallan en una situación liminal. Una de ellas, la vivencia del aislamiento y la represión erótica en un departamento londinense. La otra, el proceso de la gestación materna en un entorno que la colma de inquietudes. Ellas, en su tránsito liminal, se enfrentan a visiones o alucinaciones que podrían explicarse como productos de un disturbio mental o como manifestaciones de algo sobrenatural, lo que arraiga a ambas películas en el campo de lo “fantástico” propuesto por el teórico Tzvetan Todorov."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:source","label":"Dc Source","values":["Repositorio Institucional - Ulima","Universidad de Lima"]},{"key":"dc:title","label":"Title","values":["Análisis de lo fantástico y las transiciones femeninas en el cine de Roman Polanski: \"Repulsión\" (1965) y \"El bebé de Rosemary\" (1968)"]}]}],"canonical_facts":{"dc:contributor.advisor":["Bedoya Wilson, Ricardo Humberto"],"dc:creator":["Huapaya Villacampa, Maria Fernanda"],"dc:date.accessioned":["2022-09-01T14:40:14Z"],"dc:date.available":["2022-09-01T14:40:14Z"],"dc:date.issued":["2022"],"dc:description.abstract":["The present work focuses on the study between the \"fantastic\" and the transits of the feminine imaginary in the cinema of the director Roman Polanski, taking as objects of analysis the films Repulsion (1965), and Rosemary's Baby (1968). In both, the development of fantastic fiction highlights the experiences of the protagonists' hallucination while they are in a liminal situation. One of them, the experience of isolation and erotic repression in a London apartment. The other, the process of maternal gestation in an environment that fills her with concerns. They, in their liminal transit, face visions or hallucinations that could be explained as products of a mental disorder or as manifestations of something supernatural, which roots both films in the concept of the \"fantastic\" proposed by theorist Tzvetan Todorov","El presente trabajo se centra en el estudio entre lo “fantástico” y los tránsitos del imaginario femenino en el cine del realizador Roman Polanski, tomando como objetos de análisis las películas Repulsión (1965), y El bebé de Rosemary (1968). En ambas, el desarrollo de la ficción fantástica pone de relieve las experiencias de la alucinación de las protagonistas mientras se hallan en una situación liminal. Una de ellas, la vivencia del aislamiento y la represión erótica en un departamento londinense. La otra, el proceso de la gestación materna en un entorno que la colma de inquietudes. Ellas, en su tránsito liminal, se enfrentan a visiones o alucinaciones que podrían explicarse como productos de un disturbio mental o como manifestaciones de algo sobrenatural, lo que arraiga a ambas películas en el campo de lo “fantástico” propuesto por el teórico Tzvetan Todorov."],"dc:format":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/20.500.12724/16466"],"dc:language.iso":["spa"],"dc:publisher":["Universidad de Lima"],"dc:rights":["info:eu-repo/semantics/openAccess"],"dc:rights.uri":["https://creativecommons.org/licenses/by-nc-sa/4.0/"],"dc:source":["Repositorio Institucional - Ulima","Universidad de Lima"],"dc:subject":["Peliculas cinematográficas","Mujeres","Cine fantástico","Motion pictures","Women","Fantasy films"],"dc:title":["Análisis de lo fantástico y las transiciones femeninas en el cine de Roman Polanski: \"Repulsión\" (1965) y \"El bebé de Rosemary\" (1968)"],"dc:type":["info:eu-repo/semantics/bachelorThesis"],"thesis:degree_discipline":["Comunicación"],"thesis:degree_level":["Título Profesional"],"thesis:degree_name":["Licenciado en Comunicación"],"thesis:institution_name":["Universidad de Lima. 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