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King's College London

Keepin' It Real: Negotiating Authenticity in the London Hip Hop Scene

Abstract

dc:description.abstract

Despite growing academic attention on the highly valued ideal of authenticity in hip hop, little research has explored its particular role and significance in artists’ everyday lives, in the UK as elsewhere. Using London as a case study, I explore how authenticity is understood, embodied, practised, and negotiated, in other words ‘lived out’, by rappers in a place where the music did not originate.<br/><br/>The research explores not just what ‘being’ real entails in this distinctive context of cultural production, but also how London rappers go about ‘keeping’ it real, against a confusing and rapidly changing cultural, technological and socio-economic context. From hip hop’s inception, a sense of struggle has been a feature of the culture, as well as motivation for artists to make their music. My research indicates that in the dynamic context of the London hip hop scene, influenced by the complex interrelated effects of capitalism, globalization, migration and digitization, there has been a shift in just what artists are struggling against. The study reveals various responses and strategic approaches that rappers engage in to negotiate the struggles in contemporary society whilst seeking to live out authenticity in the scene. These include radical individualism, universal commonality, oppositionist positioning, explicit claims and media management.<br/><br/>Applying critical realism as an ‘under-labouring’ meta-theoretical foundation, in conjunction with ethnography, the study makes a contribution that moves beyond fixed and wholly socially constructed conceptualizations of authenticity. My research reveals that in the case of the London hip hop scene, authenticity is an emergent human property (re)-produced and managed through the negotiation of the myriad tensions and struggles that hip hop artists living in London encounter. The study suggests that the struggles negotiated by rappers have much wider implications for young people living out their lives in contemporary society.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy
Level dc:type.qualificationlevel
Doctoral Thesis
Grantor dc:publisher.institution
King's College London
Year dc:date.issued
2014

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Speers, Laura
Advisors dc:contributor.advisor
  • Adams, Ruth
  • Wilson, Nicholas Charles

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:kclpure.kcl.ac.uk:studenttheses/a5e05569-9ccd-4fd8-94ab-ea990ce263a6
OAI identifier oai:identifier
oai:kclpure.kcl.ac.uk:studenttheses/a5e05569-9ccd-4fd8-94ab-ea990ce263a6

Chain of custody

source
Harvested from
King's College London
Base URL
kclpure.kcl.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Speers, Laura. Keepin' It Real: Negotiating Authenticity in the London Hip Hop Scene. Doctoral Thesis thesis, King's College London, 2014. https://kclpure.kcl.ac.uk/portal/en/studentTheses/a5e05569-9ccd-4fd8-94ab-ea990ce263a6