Back to results

University of Houston

For Tomorrow They Will Not Recognize Us: The American Reception of Soviet Leftist Art

Abstract

dc:description.abstract

In this thesis, I take a historiographic approach to the reception of Soviet leftist art of the early 20th century in the United States. I explore the ways that Soviet movements like Suprematism and Constructivism were appropriated as a vehicle for political meaning by American institutions and the means by which those Soviet artists, artworks, and legacies were framed. The decades covered by my thesis were characterized by global warfare and high-stakes diplomacy, beginning with the immediate aftermath of the Russian Revolution in 1917 through the Second World War, into the Cold War and the Vietnam War. The thesis is divided into three sections roughly aligning with these time periods and each anchored by an exhibition that typifies the feelings and scholarship on the Soviet leftist art in the United States. The exhibitions I examine are Cubism and Abstract Art (1936), Naum Gabo and Antoine Pevsner (1948), and Primary Structures (1966).

Degree

thesis:*
Name thesis:degree_name
Master of Arts
Level thesis:degree_level
Masters
Discipline thesis:degree_discipline
Art History
Grantor
University of Houston
Year dc:date.issued
2023

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Asakura, Sophie Charlotte Kiyoe
Advisor dc:contributor.advisor
  • Zalman, Sandra
Committee members dc:contributor.committeemember
  • Golubev, Alexey V.
  • Harren, Natilee

Subjects

dc:subject × 21

Rights

dc:rights
Statement dc:rights
  • The author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/10657/14580
OAI identifier oai:identifier
oai:uh-ir.tdl.org:10657/14580

Chain of custody

source
Harvested from
University of Houston
Base URL
uh-ir.tdl.org/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Asakura, Sophie Charlotte Kiyoe. For Tomorrow They Will Not Recognize Us: The American Reception of Soviet Leftist Art. Masters thesis, University of Houston, 2023. https://hdl.handle.net/10657/14580