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Dominican University of California

First Ladies of Film: The Not so Silent Women of Early American Cinema

Abstract

dc:description.abstract

<p>During the first quarter of the twentieth century, particularly between the years 1906 and 1926, the American film industry offered women opportunities that existed in no other workplace. This was the golden era of female filmmaking, when many women had a high degree of control behind the camera in creative roles such as producer, director, and scenario writer. This thesis seeks to uncover the social and economic forces that shaped women's access to cinema production, and why, by the introduction of sound in 1927, Hollywood’s shifting business history caused a virtual disappearance of these opportunities.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Arts
Level thesis:degree_level
Master's Thesis
Discipline thesis:degree_discipline
Humanities
Year
2011

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Borg, Catherine
Contributors dc:contributor
  • Mairi Pleggi, PhD
  • Cynthia Taylor, PhD

Subjects

dc:subject × 2

Identifiers

dc:identifier.*
OAI identifier oai:identifier
oai:scholar.dominican.edu:humanities-print-theses-1288

Chain of custody

source
Harvested from
Dominican University of California
Base URL
scholar.dominican.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Borg, Catherine. First Ladies of Film: The Not so Silent Women of Early American Cinema. Master's Thesis thesis, 2011. https://scholar.dominican.edu/humanities-print-theses/289