During the first quarter of the twentieth century, particularly between the years 1906 and 1926, the American film industry offered women opportunities that existed in no other workplace. This was the golden era of female filmmaking, when many women had a high degree of control behind the camera in creative roles such as producer, director, and scenario writer. This thesis seeks to uncover the social and economic forces that shaped women's access to cinema production, and why, by the introduction of sound in 1927, Hollywood’s shifting business history caused a virtual disappearance of these opportunities.
","abstract_html":"<p>During the first quarter of the twentieth century, particularly between the years 1906 and 1926, the American film industry offered women opportunities that existed in no other workplace. This was the golden era of female filmmaking, when many women had a high degree of control behind the camera in creative roles such as producer, director, and scenario writer. This thesis seeks to uncover the social and economic forces that shaped women's access to cinema production, and why, by the introduction of sound in 1927, Hollywood’s shifting business history caused a virtual disappearance of these opportunities.</p>","abstract_has_math":false,"creators":["Borg, Catherine"],"institution":null,"degree_name":"Master of Arts","degree_level":"Master's Thesis","degree_discipline":"Humanities","degree_department":null,"school":null,"contributors":["Mairi Pleggi, PhD","Cynthia Taylor, PhD"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T02:05:59Z","subjects":["Humanities","Arts and Humanities"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.dominican.edu/humanities-print-theses/289","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Mairi Pleggi, PhD","Cynthia Taylor, PhD"]},{"key":"dc:creator","label":"Author","values":["Borg, Catherine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"thesis:degree_discipline","label":"Discipline","values":["Humanities"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Master's Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Humanities","Arts and Humanities"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.dominican.edu/humanities-print-theses/289"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["During the first quarter of the twentieth century, particularly between the years 1906 and 1926, the American film industry offered women opportunities that existed in no other workplace. This was the golden era of female filmmaking, when many women had a high degree of control behind the camera in creative roles such as producer, director, and scenario writer. This thesis seeks to uncover the social and economic forces that shaped women's access to cinema production, and why, by the introduction of sound in 1927, Hollywood’s shifting business history caused a virtual disappearance of these opportunities.
"]},{"key":"dc:title","label":"Title","values":["First Ladies of Film: The Not so Silent Women of Early American Cinema"]}]}],"canonical_facts":{"dc:contributor":["Mairi Pleggi, PhD","Cynthia Taylor, PhD"],"dc:creator":["Borg, Catherine"],"dc:description.abstract":["During the first quarter of the twentieth century, particularly between the years 1906 and 1926, the American film industry offered women opportunities that existed in no other workplace. This was the golden era of female filmmaking, when many women had a high degree of control behind the camera in creative roles such as producer, director, and scenario writer. This thesis seeks to uncover the social and economic forces that shaped women's access to cinema production, and why, by the introduction of sound in 1927, Hollywood’s shifting business history caused a virtual disappearance of these opportunities.
"],"dc:identifier":["https://scholar.dominican.edu/humanities-print-theses/289"],"dc:subject":["Humanities","Arts and Humanities"],"dc:title":["First Ladies of Film: The Not so Silent Women of Early American Cinema"],"thesis:degree_discipline":["Humanities"],"thesis:degree_level":["Master's Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:05:59Z"}