Abstract
dc:description.abstract<p>Biblical revision has been a part of the Jewish tradition since the Bible began to be canonized in the Second Temple period. Many authors throughout the centuries have seen fit to revise the biblical text: creating a new literary genre that is in this paper termed "rewritten Bible." Maxine Grossman's literary critical method, as advocated in <em>Reading for History in the Damascus Document: A Methodological Method</em>, helps us to understand the different types of meaning that can be created from a text, including meaning that is created outside the intent of the author, as it is in the genre of rewritten Bible. The text of <em>Jubilees</em> and Shulamith Hareven's <em>Thirst: The Desert Trilogy</em> serve to demonstrate both the continuity of the act of revision in the Jewish tradition as well as how rewritten Bible has functioned in different societies in various time periods.</p>
Degree
thesis:*- Name thesis:degree_name
- M.A.
- Level thesis:degree_level
- Masters Thesis
- Year dc:date.available
- 2009
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Willeford, Jamie Christine
- Contributors dc:contributor
-
- Alison Schofield, Ph.D.
- Adam Rovner
- Gregory Robbins
Subjects
dc:subject × 6Rights
dc:rights- Statement dc:rights
-
- <p>Copyright is held by the author. User is responsible for all copyright compliance.</p>
- Language dc:language
- en
Identifiers
dc:identifier.*- Repository record dc:identifier
- https://digitalcommons.du.edu/etd/708
- OAI identifier oai:identifier
- oai:digitalcommons.du.edu:etd-1707