{"id":{"repo_id":"denver","oai_identifier":"oai:digitalcommons.du.edu:etd-1707"},"canonical_url":"https://search.dev.ndltd.org/etd/denver/oai:digitalcommons.du.edu:etd-1707","repository":{"repo_id":"denver","name":"University of Denver","base_url":"https://digitalcommons.du.edu/do/oai/"},"display":{"title":"Biblical Revision Both Ancient and Modern","abstract":"<p>Biblical revision has been a part of the Jewish tradition since the Bible began to be canonized in the Second Temple period. Many authors throughout the centuries have seen fit to revise the biblical text: creating a new literary genre that is in this paper termed \"rewritten Bible.\" Maxine Grossman's literary critical method, as advocated in <em>Reading for History in the Damascus Document: A Methodological Method</em>, helps us to understand the different types of meaning that can be created from a text, including meaning that is created outside the intent of the author, as it is in the genre of rewritten Bible. The text of <em>Jubilees</em> and Shulamith Hareven's <em>Thirst: The Desert Trilogy</em> serve to demonstrate both the continuity of the act of revision in the Jewish tradition as well as how rewritten Bible has functioned in different societies in various time periods.</p>","abstract_html":"&lt;p&gt;Biblical revision has been a part of the Jewish tradition since the Bible began to be canonized in the Second Temple period. Many authors throughout the centuries have seen fit to revise the biblical text: creating a new literary genre that is in this paper termed &quot;rewritten Bible.&quot; Maxine Grossman&#x27;s literary critical method, as advocated in &lt;em&gt;Reading for History in the Damascus Document: A Methodological Method&lt;/em&gt;, helps us to understand the different types of meaning that can be created from a text, including meaning that is created outside the intent of the author, as it is in the genre of rewritten Bible. The text of &lt;em&gt;Jubilees&lt;/em&gt; and Shulamith Hareven&#x27;s &lt;em&gt;Thirst: The Desert Trilogy&lt;/em&gt; serve to demonstrate both the continuity of the act of revision in the Jewish tradition as well as how rewritten Bible has functioned in different societies in various time periods.&lt;/p&gt;","abstract_has_math":false,"creators":["Willeford, Jamie Christine"],"institution":null,"degree_name":"M.A.","degree_level":"Masters Thesis","degree_discipline":null,"degree_department":null,"school":null,"contributors":["Alison Schofield, Ph.D.","Adam Rovner","Gregory Robbins"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009-01-01T08:00:00Z","date_published":"2009-01-01T08:00:00Z","updated_at":"2026-07-24T02:02:11Z","subjects":["Biblical revision","Jewish tradition","Religious scholarship","Biblical Studies","Religion","Religious Education"],"languages":["en"],"rights":["<p>Copyright is held by the author. User is responsible for all copyright compliance.</p>"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.du.edu/etd/708","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Alison Schofield, Ph.D.","Adam Rovner","Gregory Robbins"]},{"key":"dc:creator","label":"Author","values":["Willeford, Jamie Christine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2001-01-01T08:00:00Z"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.A."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Biblical revision","Jewish tradition","Religious scholarship","Biblical Studies","Religion","Religious Education"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["<p>Copyright is held by the author. 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Many authors throughout the centuries have seen fit to revise the biblical text: creating a new literary genre that is in this paper termed \"rewritten Bible.\" Maxine Grossman's literary critical method, as advocated in <em>Reading for History in the Damascus Document: A Methodological Method</em>, helps us to understand the different types of meaning that can be created from a text, including meaning that is created outside the intent of the author, as it is in the genre of rewritten Bible. The text of <em>Jubilees</em> and Shulamith Hareven's <em>Thirst: The Desert Trilogy</em> serve to demonstrate both the continuity of the act of revision in the Jewish tradition as well as how rewritten Bible has functioned in different societies in various time periods.</p>"],"dc:format":["application/pdf"],"dc:identifier":["https://digitalcommons.du.edu/etd/708"],"dc:language":["en"],"dc:rights":["<p>Copyright is held by the author. 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