Influenced: Performing Gender and Femininity in Mormon and Evangelical Online Spaces

<p>The construction of a digital self is fully performative; online identities are simultaneously highly curated, edited, and uniquely personal. These spaces allow users to become producers of identity and religious narrative. In this dissertation I examine the online communities which are a dynamic and developing aspect of religious life in America. I will argue that religious women have created increasingly diverse virtual spaces for themselves, and that these online communities give women a safe space to talk about their faith and create common bonds with other female adherents. I have engaged with these creators directly through oral history interviews and indirectly through their content, with the goal of understanding how women in these two traditions self-conceptualize, creating a project that is specific to the lived experiences of religious women by talking to them rather than simply looking at them. The online stage has provided a democratic means for women to perform their gender while also shaping and constructing their cultural archetypes. The body of the religious woman is the canvas upon which the cultural and religious expectations are crafted into a solid gender identity. Through these platforms a significant number of Latter-day Saint and Evangelical Christian women co-create, sustain, and perpetuate systemic gendered norms through repetitious acts of performance. However, these platforms reflect the diversity of opinion which has always existed among women in each of these groups. I conducted twenty-nine oral histories with Mormon and Evangelical content creators over the course of two years. All interviews will be archived with the Honnold Library at the Claremont Colleges in a special collection. Of those twenty-nine I have selected eighteen to feature in the following chapters. Throughout this series of interviews I found that, while most would not use (or be comfortable with) the language of gender theory, they were each making conscious decisions about their gendered identity. As content producers they are engaged in a dual-awareness of themselves as both a private and public image, and many of them spoke about their choices in those terms. The “them” which is present on their public platform is a stylized series of choices which do not always line up with the “them” which is present in private. This conscious curation or “branding” was a common practice for women in all categories.</p>

Name thesis:degree_name

Religion, PhD

Level thesis:degree_level

Open Access Dissertation

Discipline thesis:degree_discipline

School of Arts and Humanities

Year dc:date.available

2023

Author dc:creator

• Davis, Kathryn Ann

Contributors dc:contributor

• Matthew Bowman
• Patrick Mason
• Karen Torjesen

• Blog
• Evangelicalism
• Influencer
• Mormonism
• Performativity
• Women
• Feminist, Gender, and Sexuality Studies
• Religion
• Women's Studies

Repository record dc:identifier

https://scholarship.claremont.edu/cgu_etd/581

OAI identifier oai:identifier

oai:scholarship.claremont.edu:cgu_etd-1603