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Claremont Graduate University

How One Writes, Makes, Markets a Movie and How an Audience Reads the Movie: Two Biographical Films of Hitler as a Case Study

Abstract

dc:description.abstract

<p>According to John Lukacs, German people's views on Hitler and Nazism once got examined right after the fall the Third Reich in the 1950s but this subject has lost its appeal since then. How do Germans nowadays, specifically those young ones raised in the "New Germany" after the fall of the Berlin Wall, think of Hitler and their country's Nazi legacy? This dissertation is to explore how six young Germans growing up in the new "unified Germany" interpret two films' representations of Hitler and Nazism.</p>

Degree

thesis:*
Name thesis:degree_name
Cultural Studies, PhD
Level thesis:degree_level
Open Access Dissertation
Discipline thesis:degree_discipline
School of Arts and Humanities
Year dc:date.available
2012

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Yeh, Nick Chi-Shu J.
Contributors dc:contributor
  • Jennifer Merolla
  • Lynn Rapaport

Subjects

dc:subject × 7

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarship.claremont.edu/cgu_etd/36
OAI identifier oai:identifier
oai:scholarship.claremont.edu:cgu_etd-1036

Chain of custody

source
Harvested from
Claremont Graduate University
Base URL
scholarship.claremont.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Yeh, Nick Chi-Shu J.. How One Writes, Makes, Markets a Movie and How an Audience Reads the Movie: Two Biographical Films of Hitler as a Case Study. Open Access Dissertation thesis, 2012. https://scholarship.claremont.edu/cgu_etd/36