Personhood and Objecthood: Examining the Speaker’s Interiority and Double Consciousness in <em>Citizen: An American Lyric</em>

<p>The interpersonal use of the “you” (the second person) in <em>Citizen: An American Lyric</em> commands the reader to not look away and bear witness to the interiority Black Americans’ consciousness. The essay examines the transformation of Rankine’s works that expands how double consciousness, found in <em>Citizen</em>, influences the creative writing space (the racial imaginary) and exposes the ongoing discrimination against Black Americans due to white privilege. Rankine’s other works <em>Just US: An American Conversation </em>and <em>The Racial Imaginary</em> compile viewpoints of both Black and white communities that remember moments that either they witnessed racist discrimination or experienced it in some form. Double consciousness is not just a simple exploration of twoness; it exposes what white social construct looks like, the interiority of everyday racism. Through conversations found in <em>Citizen</em>, <em>The Racial Imaginary</em>, and <em>Just Us</em>, Rankine offers a possibility that there can be an inclusive American consciousness, only if all communities acknowledge each other.</p>

Name thesis:degree_name

Master of Arts (MA)

Level thesis:degree_level

Thesis

Discipline thesis:degree_discipline

English

Year dc:date.available

2022

Author dc:creator

• Chak, Winnie

Contributors dc:contributor

• Joanna Levin
• Rei Magosaki
• Jan Osborn

• American Literature
• Claudia Rankine
• Literature in English, North America, Ethnic and Cultural Minority
• Modern Literature

Repository record dc:identifier

https://digitalcommons.chapman.edu/english_theses/43

OAI identifier oai:identifier

oai:digitalcommons.chapman.edu:english_theses-1045