The interpersonal use of the “you” (the second person) in Citizen: An American Lyric commands the reader to not look away and bear witness to the interiority Black Americans’ consciousness. The essay examines the transformation of Rankine’s works that expands how double consciousness, found in Citizen, influences the creative writing space (the racial imaginary) and exposes the ongoing discrimination against Black Americans due to white privilege. Rankine’s other works Just US: An American Conversation and The Racial Imaginary compile viewpoints of both Black and white communities that remember moments that either they witnessed racist discrimination or experienced it in some form. Double consciousness is not just a simple exploration of twoness; it exposes what white social construct looks like, the interiority of everyday racism. Through conversations found in Citizen, The Racial Imaginary, and Just Us, Rankine offers a possibility that there can be an inclusive American consciousness, only if all communities acknowledge each other.
","abstract_html":"<p>The interpersonal use of the “you” (the second person) in <em>Citizen: An American Lyric</em> commands the reader to not look away and bear witness to the interiority Black Americans’ consciousness. The essay examines the transformation of Rankine’s works that expands how double consciousness, found in <em>Citizen</em>, influences the creative writing space (the racial imaginary) and exposes the ongoing discrimination against Black Americans due to white privilege. Rankine’s other works <em>Just US: An American Conversation </em>and <em>The Racial Imaginary</em> compile viewpoints of both Black and white communities that remember moments that either they witnessed racist discrimination or experienced it in some form. Double consciousness is not just a simple exploration of twoness; it exposes what white social construct looks like, the interiority of everyday racism. Through conversations found in <em>Citizen</em>, <em>The Racial Imaginary</em>, and <em>Just Us</em>, Rankine offers a possibility that there can be an inclusive American consciousness, only if all communities acknowledge each other.</p>","abstract_has_math":false,"creators":["Chak, Winnie"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Joanna Levin","Rei Magosaki","Jan Osborn"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2022,"date_issued":"2022-05-01T07:00:00Z","date_published":"2022-05-01T07:00:00Z","updated_at":"2026-07-24T01:38:24Z","subjects":["American Literature","Claudia Rankine","Literature in English, North America, Ethnic and Cultural Minority","Modern Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.chapman.edu/english_theses/43","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Joanna Levin","Rei Magosaki","Jan Osborn"]},{"key":"dc:creator","label":"Author","values":["Chak, Winnie"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2024-05-20T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American Literature","Claudia Rankine","Literature in English, North America, Ethnic and Cultural Minority","Modern Literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.chapman.edu/english_theses/43"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The interpersonal use of the “you” (the second person) in Citizen: An American Lyric commands the reader to not look away and bear witness to the interiority Black Americans’ consciousness. The essay examines the transformation of Rankine’s works that expands how double consciousness, found in Citizen, influences the creative writing space (the racial imaginary) and exposes the ongoing discrimination against Black Americans due to white privilege. Rankine’s other works Just US: An American Conversation and The Racial Imaginary compile viewpoints of both Black and white communities that remember moments that either they witnessed racist discrimination or experienced it in some form. Double consciousness is not just a simple exploration of twoness; it exposes what white social construct looks like, the interiority of everyday racism. Through conversations found in Citizen, The Racial Imaginary, and Just Us, Rankine offers a possibility that there can be an inclusive American consciousness, only if all communities acknowledge each other.
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