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Michaelis School of Fine Art

The grapes of wrath : sculpture as socio-political critique in South Africa

Abstract

dc:description.abstract

The title is borrowed from the classic novel by John Steinbeck published in 1939¹. It is a story that ostensibly concerns the Joad family's move from the agricultural hinterland of America to the promised land of California. Steinbeck's intention is the sympathetic portrayal of the human cost of mechanised agricultural revolution. The story plots the collision of old value systems with new profit driven capitalistic drives (Thompson and Kutach, 1990:143). The attendant ramifications see a great shift in the rural population to the urban areas. Much arable land is bought up by faceless consortiums and banks, leaving the farm dwellers little choice but to pack up and leave in search of work, in this manner a way of life for hundreds of thousands of unsophisticated, hard-working people comes to an end.

Degree

thesis:*
Grantor dc:publisher.institution
Michaelis School of Fine Art
Year dc:date.issued
2008

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Bird, S
Advisor dc:contributor.advisor
  • Payne, Malcolm

Rights

Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/11427/7801
OAI identifier oai:identifier
oai:open.uct.ac.za:11427/7801

Chain of custody

source
Harvested from
University of Cape Town
Base URL
open.uct.ac.za/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
related terms
citation

Bird, S. The grapes of wrath : sculpture as socio-political critique in South Africa. Michaelis School of Fine Art, 2008. http://hdl.handle.net/11427/7801