{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/7801"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/7801","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"The grapes of wrath : sculpture as socio-political critique in South Africa","abstract":"The title is borrowed from the classic novel by John Steinbeck published in 1939¹. It is a story that ostensibly concerns the Joad family's move from the agricultural hinterland of America to the promised land of California. Steinbeck's intention is the sympathetic portrayal of the human cost of mechanised agricultural revolution. The story plots the collision of old value systems with new profit driven capitalistic drives (Thompson and Kutach, 1990:143). The attendant ramifications see a great shift in the rural population to the urban areas. Much arable land is bought up by faceless consortiums and banks, leaving the farm dwellers little choice but to pack up and leave in search of work, in this manner a way of life for hundreds of thousands of unsophisticated, hard-working people comes to an end.","abstract_html":"The title is borrowed from the classic novel by John Steinbeck published in 1939¹. It is a story that ostensibly concerns the Joad family's move from the agricultural hinterland of America to the promised land of California. Steinbeck's intention is the sympathetic portrayal of the human cost of mechanised agricultural revolution. The story plots the collision of old value systems with new profit driven capitalistic drives (Thompson and Kutach, 1990:143). The attendant ramifications see a great shift in the rural population to the urban areas. Much arable land is bought up by faceless consortiums and banks, leaving the farm dwellers little choice but to pack up and leave in search of work, in this manner a way of life for hundreds of thousands of unsophisticated, hard-working people comes to an end.","abstract_has_math":false,"creators":["Bird, S"],"institution":"Michaelis School of Fine Art","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Payne, Malcolm"],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008","date_published":"2008","updated_at":"2026-07-22T22:23:01Z","subjects":[],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11427/7801","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Payne, Malcolm"]},{"key":"dc:creator","label":"Author","values":["Bird, S"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2014-09-30T13:42:31Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2014-09-30T13:42:31Z"]},{"key":"dc:date.issued","label":"Date","values":["2008"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Michaelis School of Fine Art"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Cape Town"]},{"key":"dc:type","label":"Dc Type","values":["Master Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["Masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["MFA"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11427/7801"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Includes abstract.|Includes bibliographical references (leaves 52-56)."]},{"key":"dc:description.abstract","label":"Abstract","values":["The title is borrowed from the classic novel by John Steinbeck published in 1939¹. It is a story that ostensibly concerns the Joad family's move from the agricultural hinterland of America to the promised land of California. Steinbeck's intention is the sympathetic portrayal of the human cost of mechanised agricultural revolution. The story plots the collision of old value systems with new profit driven capitalistic drives (Thompson and Kutach, 1990:143). The attendant ramifications see a great shift in the rural population to the urban areas. Much arable land is bought up by faceless consortiums and banks, leaving the farm dwellers little choice but to pack up and leave in search of work, in this manner a way of life for hundreds of thousands of unsophisticated, hard-working people comes to an end."]},{"key":"dc:title","label":"Title","values":["The grapes of wrath : sculpture as socio-political critique in South Africa"]}]}],"canonical_facts":{"dc:contributor.advisor":["Payne, Malcolm"],"dc:creator":["Bird, S"],"dc:date.accessioned":["2014-09-30T13:42:31Z"],"dc:date.available":["2014-09-30T13:42:31Z"],"dc:date.issued":["2008"],"dc:description":["Includes abstract.|Includes bibliographical references (leaves 52-56)."],"dc:description.abstract":["The title is borrowed from the classic novel by John Steinbeck published in 1939¹. It is a story that ostensibly concerns the Joad family's move from the agricultural hinterland of America to the promised land of California. Steinbeck's intention is the sympathetic portrayal of the human cost of mechanised agricultural revolution. The story plots the collision of old value systems with new profit driven capitalistic drives (Thompson and Kutach, 1990:143). The attendant ramifications see a great shift in the rural population to the urban areas. Much arable land is bought up by faceless consortiums and banks, leaving the farm dwellers little choice but to pack up and leave in search of work, in this manner a way of life for hundreds of thousands of unsophisticated, hard-working people comes to an end."],"dc:identifier.uri":["http://hdl.handle.net/11427/7801"],"dc:language.iso":["eng"],"dc:publisher.department":["Michaelis School of Fine Art"],"dc:publisher.institution":["University of Cape Town"],"dc:title":["The grapes of wrath : sculpture as socio-political critique in South Africa"],"dc:type":["Master Thesis"],"dc:type.qualificationlevel":["Masters"],"dc:type.qualificationname":["MFA"]},"updated_at":"2026-07-22T22:23:01Z"}