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This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to its production. My intention from the start (in selecting a change of working location from The Netherlands to South Africa) was to test my practice, not only against the practical and theoretical contingencies influencing its production up to the end of 2003, but also how a specific geographical and political milieu affects its making. To do this I need to interrogate both bodies of works, those produced immediately before my MFA, as well as those arising during my studies in Cape Town. My art-historical field of reference consists mainly of West European and twentieth century American art and art theory.

Grantor dc:publisher.institution

Michaelis School of Fine Art

Year dc:date.issued

2005

Author dc:creator

• De Greef, Niek

Advisor dc:contributor.advisor

• Payne, Malcolm

Language dc:language.iso

eng

Handle dc:identifier.uri

http://hdl.handle.net/11427/10304

OAI identifier oai:identifier

oai:open.uct.ac.za:11427/10304