{"id":{"repo_id":"cape-town","oai_identifier":"oai:open.uct.ac.za:11427/10304"},"canonical_url":"https://search.dev.ndltd.org/etd/cape-town/oai:open.uct.ac.za:11427/10304","repository":{"repo_id":"cape-town","name":"University of Cape Town","base_url":"https://open.uct.ac.za/oai/request"},"display":{"title":"Zeegezichten","abstract":"This dissertation explicates the work produced during the course of my Masters of Fine Art (MFA) at the Michaelis School of Fine Art. For a better understanding of this body of work, it is important that I relate the events in part that led up to its production. My intention from the start (in selecting a change of working location from The Netherlands to South Africa) was to test my practice, not only against the practical and theoretical contingencies influencing its production up to the end of 2003, but also how a specific geographical and political milieu affects its making. 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