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University of Cambridge

Embodiment and agency in digital reading: Preschoolers making meaning with literary apps

Abstract

dc:description.abstract

This dissertation investigates meaning-making in children’s joint-reading transactions with literary apps. The analysis of meaning-making focuses on embodiment as a central aspect of literary app’s texts and their reading and on children’s negotiation of agency in the act of joint-reading. Meaning-making is understood through a multimodal social semiotics perspective, which considers that meaning is realised in the dynamic transaction between reader, text and social context. Therefore, the dissertation integrates the analysis of the apps and of the children’s responses to capture the dynamics of meaning-making in such transactions. Case studies were conducted with six families, who read the apps The Monster at the End of This Book (Stone & Smollin, 2011) and Little Red Riding Hood (Nosy Crow, 2013) in an English public library. The central method of data collection involved video-recorded observations of parent-child joint-reading events, complemented by graphic elicitation, informal interviews and a questionnaire. The video data was analysed through multimodal methods. The findings indicate that the participant readers used their bodies not only as a material point of contact and activation of the interactive features but also as a resource for meaning-making in their transactions with the apps. The reader’s body was essential in their engagement with the material and interactive affordances of the apps, in reader’s expressions of their responses, and in the sharing of the reading experience with the parents. The body of the reader, through spontaneous and interactive gestures, is a mode of communication in the multimodal ecologies of both the text and the reader’s responses. Furthermore, the child readers constantly negotiated their agency within the constraints posed by the text, which include the narrative itself and its interactive features, and those posed by the joint-reading situation. The bodies of the readers played an essential role in this dual negotiation of agency. Children’s agency was scripted, that is, the readers exerted their agency within the limitations of a script. The script, however, allowed readers to improvise, and their performances also involved resistance to the script through playful subversion. In the joint-reading event, children’s agency was foregrounded, positioning the children as protagonist readers, who performed most of the interactions and lived the aesthetic experience of the text fully, to the expense of their parents, who mostly participated as supporting readers, transferring their agency to the children through scaffolding.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy (PhD)
Level dc:type.qualificationlevel
Doctoral
Grantor dc:publisher.institution
University of Cambridge
Year dc:date.issued
2018

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Frederico, Aline
Advisor dc:contributor.advisor
  • Fiona, Maine

Subjects

dc:subject × 27

Rights

dc:rights
Statement dc:rights
  • The copyright of all images from The Monster at the End of This Book app: © 2018 Sesame Workshop, ® Sesame Street, ® and associated characters, trademarks and design elements are owned and licensed by Sesame Workshop. All rights reserved. The copyright of all images from Little Red Riding Hood: © Nosy Crow, artwork by Ed Bryan.
Language dc:language
en

Identifiers

dc:identifier.*
Author Identifier
0000-0002-5670-8548
OAI identifier oai:identifier
oai:www.repository.cam.ac.uk:1810/283637

Chain of custody

source
Harvested from
Cambridge University
Base URL
api.repository.cam.ac.uk/server/oai/request
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Frederico, Aline. Embodiment and agency in digital reading: Preschoolers making meaning with literary apps. Doctoral thesis, University of Cambridge, 2018. https://doi.org/10.17863/CAM.31007