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Brigham Young University - Provo

Through the Eyes of Shamans: Childhood and the Construction of Identity in Rosario Castellanos' "Balun-Canan" and Rudolfo Anaya's "Bless Me, Ultima"

Abstract

dc:description.abstract

<p>This study offers a comparative analysis of Rosario Castellanos' <em>Balún-Canán</em> and Rudolfo Anaya's <em>Bless Me, Ultima,</em> novels that provide examples on how children construct their identity in hybrid communities in southeastern Mexico and the U.S. southwest. The protagonists grow and develop in a context where they need to build bridges between their European and Amerindian roots in the middle of external influences that complicate the construction of a new <em>mestizo</em> consciousness. In order to attain that consciousness and free themselves from their divided selves, these children receive the aid of an indigenous mentor who teaches them how to establish a dialogue with their past, nature, and their social reality. The protagonists undertake that negotiation by transgressing the rituals of a society immersed in colonial dual thinking. They also create mechanisms to re-interpret their past and tradition in order to create an image of themselves that is not imposed by the status quo.</p> <p>In both novels, the protagonists have to undergo similar processes to overcome their identity crises, including transculturation, the creation of sites of memory, and a transition from orality to writing. Each of them resorts to creative writing and becomes a sort of shaman who pulls together the "spirits" from the past, selects them, and organizes them in a narration of childhood that is undertaken from adulthood. The results of this enterprise are completely different in the cases of both protagonists because the historical and social contexts vary. The boy in <em>Bless Me, Ultima</em> can harmoniously gather the elements to construct his identity, while the girl in <em>Balún-Canán</em> fails because of the pressures of a male-centered and highly racist society.</p>

Degree

thesis:*
Name thesis:degree_name
MA
Grantor dc:publisher
Brigham Young University - Provo

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Nava, Tomas Hidalgo

Subjects

dc:subject × 67

Rights

Language dc:language
English

Identifiers

dc:identifier.*
Repository record dc:identifier
https://scholarsarchive.byu.edu/etd/146
OAI identifier oai:identifier
oai:scholarsarchive.byu.edu:etd-1145

Chain of custody

source
Harvested from
Brigham Young University
Base URL
scholarsarchive.byu.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Nava, Tomas Hidalgo. Through the Eyes of Shamans: Childhood and the Construction of Identity in Rosario Castellanos' "Balun-Canan" and Rudolfo Anaya's "Bless Me, Ultima". Brigham Young University - Provo, https://scholarsarchive.byu.edu/etd/146