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Showing 1 to 3 of 3 for “"Balún-Canán"”.

  1. Cuerpo, mujer y nación: el Bildungsroman posrevolucionario mexicano

    … Yo soy mi casa (1957) by Guadalupe Amor, and Balún Canán (1957) by Rosario Castellanos. In these novels, the historical, political, and social circumstances of post-revolutionary Mexico are manifested through the psychological and physiological representation of the main characters. The female …

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  2. Through the Eyes of Shamans: Childhood and the Construction of Identity in Rosario Castellanos' "Balun-Canan" and Rudolfo Anaya's "Bless Me, Ultima"

    … comparative analysis of Rosario Castellanos' <em>Balún-Canán</em> and Rudolfo Anaya's <em>Bless Me, Ultima,</em> novels that provide examples on how children construct their identity in hybrid communities in southeastern Mexico and the U.S. southwest. The protagonists grow and develop in a context …

    byu Repository record for Through the Eyes of Shamans: Childhood and the Construction of Identity in Rosario Castellanos' "Balun-Canan" and Rudolfo Anaya's "Bless Me, Ultima" (opens in a new tab)

  3. Women and class: Power dynamics in contemporary Mexican literature and culture

    … children by working-class women in texts such as Balún Canán, La “Flor de Lis,” and Como agua para chocolate. Chapter 4, “The Borders of Crime and Gender in Maquiladora Cultural Production,” looks at the “punishment” to which maquiladora workers are subjected for altering the patriarchal order of …

    uiuc Repository record for Women and class: Power dynamics in contemporary Mexican literature and culture (opens in a new tab)