Abstract
dc:description.abstractCritical limits of Conceptualism in art ( whose historic cycle approximately dates from 1965 to 1975) and its practices (Art Language, Povera, Land Art and Body Art) of dematerialization of the art object (Modernism paradigm of the 20th century first half) are here thought as a verification of a possible rupture or continuity solution between what contemporary art and modern art supposedly are.
Degree
thesis:*- Grantor dc:publisher
- Universidade Federal do Rio de Janeiro
- Year dc:date.issued
- 1992
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Cury, David Abdala
- Advisor dc:contributor.advisor
-
- Pereira, Sonia Gomes
Subjects
dc:subject × 2Rights
dc:rights- Statement dc:rights
-
- Acesso Aberto
- Language dc:language
- por
Identifiers
dc:identifier.*- Handle dc:identifier.uri
- http://hdl.handle.net/11422/6181
- OAI identifier oai:identifier
- oai:pantheon.ufrj.br:11422/6181