{"id":{"repo_id":"brazil-uerj","oai_identifier":"oai:pantheon.ufrj.br:11422/6181"},"canonical_url":"https://search.dev.ndltd.org/etd/brazil-uerj/oai:pantheon.ufrj.br:11422/6181","repository":{"repo_id":"brazil-uerj","name":"Brazil UERJ","base_url":"https://pantheon.ufrj.br/oai/request"},"display":{"title":"Conceitualismo: moderno, insuportável","abstract":"Critical limits of Conceptualism in art ( whose historic cycle approximately dates from 1965 to 1975) and its practices (Art Language, Povera, Land Art and Body Art) of dematerialization of the art object (Modernism paradigm of the 20th century first half) are here thought as a verification of a possible rupture or continuity solution between what contemporary art and modern art supposedly are.","abstract_html":"Critical limits of Conceptualism in art ( whose historic cycle approximately dates from 1965 to 1975) and its practices (Art Language, Povera, Land Art and Body Art) of dematerialization of the art object (Modernism paradigm of the 20th century first half) are here thought as a verification of a possible rupture or continuity solution between what contemporary art and modern art supposedly are.","abstract_has_math":false,"creators":["Cury, David Abdala"],"institution":"Universidade Federal do Rio de Janeiro","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Pereira, Sonia Gomes"],"committee_chairs":[],"committee_members":[],"year":1992,"date_issued":"1992-09","date_published":"1992-09","updated_at":"2026-07-24T01:16:18Z","subjects":["Arte conceitual","Experimentalismo"],"languages":["por"],"rights":["Acesso Aberto"],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/11422/6181","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Pereira, Sonia Gomes"]},{"key":"dc:creator","label":"Author","values":["Cury, David Abdala"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2019-01-22T00:54:51Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2026-05-16T03:05:26Z"]},{"key":"dc:date.issued","label":"Date","values":["1992-09"]},{"key":"dc:publisher","label":"Institution","values":["Universidade Federal do Rio de Janeiro"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Escola de Belas Artes"]},{"key":"dc:type","label":"Dc Type","values":["Dissertação"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Arte conceitual","Experimentalismo"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["por"]},{"key":"dc:rights","label":"Dc Rights","values":["Acesso Aberto"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/11422/6181"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Critical limits of Conceptualism in art ( whose historic cycle approximately dates from 1965 to 1975) and its practices (Art Language, Povera, Land Art and Body Art) of dematerialization of the art object (Modernism paradigm of the 20th century first half) are here thought as a verification of a possible rupture or continuity solution between what contemporary art and modern art supposedly are."]},{"key":"dc:title","label":"Title","values":["Conceitualismo: moderno, insuportável"]}]}],"canonical_facts":{"dc:contributor.advisor":["Pereira, Sonia Gomes"],"dc:creator":["Cury, David Abdala"],"dc:date.accessioned":["2019-01-22T00:54:51Z"],"dc:date.available":["2026-05-16T03:05:26Z"],"dc:date.issued":["1992-09"],"dc:description.abstract":["Critical limits of Conceptualism in art ( whose historic cycle approximately dates from 1965 to 1975) and its practices (Art Language, Povera, Land Art and Body Art) of dematerialization of the art object (Modernism paradigm of the 20th century first half) are here thought as a verification of a possible rupture or continuity solution between what contemporary art and modern art supposedly are."],"dc:identifier.uri":["http://hdl.handle.net/11422/6181"],"dc:language":["por"],"dc:publisher":["Universidade Federal do Rio de Janeiro"],"dc:publisher.department":["Escola de Belas Artes"],"dc:rights":["Acesso Aberto"],"dc:subject":["Arte conceitual","Experimentalismo"],"dc:title":["Conceitualismo: moderno, insuportável"],"dc:type":["Dissertação"]},"updated_at":"2026-07-24T01:16:18Z"}