Baylor University.
Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz.
Abstract
dc:description.abstractThe first immensely popular composer of Viennese operetta was Johann Strauss. Later composers, including Franz Lehár and Robert Stolz, became famous and wealthy for continuing the traditions of the genre as codified by Strauss. The most notable works of these composers either became part of the standard repertory or are considered historically important for the development of light opera and musical theater in some way. Therefore, I studied the most important elements of the genre, namely the waltz, exoticism, and local color, and compared how each composer used these common building blocks in their most successful operettas.
Degree
thesis:*- Name thesis:degree_name
- M.M.
- Level thesis:degree_level
- Masters
- Grantor
- Baylor University.
- Year dc:date.issued
- 2009
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Brittingham, Joanie.
- Advisor dc:contributor.advisor
-
- Zeiss, Laurel.
Subjects
dc:subject × 5Rights
dc:rights- Statement dc:rights
-
- Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission.
- Language dc:language.iso
- en
Identifiers
dc:identifier.*- Handle dc:identifier.uri
- https://hdl.handle.net/2104/5370
- OAI identifier oai:identifier
- oai:baylor-ir.tdl.org:2104/5370