{"id":{"repo_id":"baylor","oai_identifier":"oai:baylor-ir.tdl.org:2104/5370"},"canonical_url":"https://search.dev.ndltd.org/etd/baylor/oai:baylor-ir.tdl.org:2104/5370","repository":{"repo_id":"baylor","name":"Baylor University","base_url":"https://baylor-ir.tdl.org/server/oai/request"},"display":{"title":"Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz.","abstract":"The first immensely popular composer of Viennese operetta was Johann Strauss. Later composers, including Franz Lehár and Robert Stolz, became famous and wealthy for continuing the traditions of the genre as codified by Strauss. The most notable works of these composers either became part of the standard repertory or are considered historically important for the development of light opera and musical theater in some way. Therefore, I studied the most important elements of the genre, namely the waltz, exoticism, and local color, and compared how each composer used these common building blocks in their most successful operettas.","abstract_html":"The first immensely popular composer of Viennese operetta was Johann Strauss. Later composers, including Franz Lehár and Robert Stolz, became famous and wealthy for continuing the traditions of the genre as codified by Strauss. The most notable works of these composers either became part of the standard repertory or are considered historically important for the development of light opera and musical theater in some way. Therefore, I studied the most important elements of the genre, namely the waltz, exoticism, and local color, and compared how each composer used these common building blocks in their most successful operettas.","abstract_has_math":false,"creators":["Brittingham, Joanie."],"institution":"Baylor University.","degree_name":"M.M.","degree_level":"Masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Zeiss, Laurel."],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009-08","date_published":"2009-08","updated_at":"2026-07-24T01:08:10Z","subjects":["Operetta -- Austria -- Vienna -- 19th century.","Operetta -- Austria -- Vienna -- 20th century.","Strauss, Johann, 1825-1899 -- Criticism and interpretation.","Lehár, Franz, 1870-1948 -- Criticism and interpratation.","Stolz, Robert, 1880-1975 -- Criticism and interpretaion."],"languages":["en"],"rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/2104/5370","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Zeiss, Laurel."]},{"key":"dc:creator","label":"Author","values":["Brittingham, Joanie."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2009-08-24T20:26:52Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2009-08-24T20:26:52Z"]},{"key":"dc:date.issued","label":"Date","values":["2009-08"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M.M."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Baylor University."]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Operetta -- Austria -- Vienna -- 19th century.","Operetta -- Austria -- Vienna -- 20th century.","Strauss, Johann, 1825-1899 -- Criticism and interpretation.","Lehár, Franz, 1870-1948 -- Criticism and interpratation.","Stolz, Robert, 1880-1975 -- Criticism and interpretaion."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/2104/5370"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The first immensely popular composer of Viennese operetta was Johann Strauss. Later composers, including Franz Lehár and Robert Stolz, became famous and wealthy for continuing the traditions of the genre as codified by Strauss. The most notable works of these composers either became part of the standard repertory or are considered historically important for the development of light opera and musical theater in some way. Therefore, I studied the most important elements of the genre, namely the waltz, exoticism, and local color, and compared how each composer used these common building blocks in their most successful operettas."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz."]}]}],"canonical_facts":{"dc:contributor.advisor":["Zeiss, Laurel."],"dc:creator":["Brittingham, Joanie."],"dc:date.accessioned":["2009-08-24T20:26:52Z"],"dc:date.available":["2009-08-24T20:26:52Z"],"dc:date.issued":["2009-08"],"dc:description.abstract":["The first immensely popular composer of Viennese operetta was Johann Strauss. Later composers, including Franz Lehár and Robert Stolz, became famous and wealthy for continuing the traditions of the genre as codified by Strauss. The most notable works of these composers either became part of the standard repertory or are considered historically important for the development of light opera and musical theater in some way. Therefore, I studied the most important elements of the genre, namely the waltz, exoticism, and local color, and compared how each composer used these common building blocks in their most successful operettas."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/2104/5370"],"dc:language.iso":["en"],"dc:rights":["Baylor University works are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. Contact libraryquestions@baylor.edu for inquiries about permission."],"dc:subject":["Operetta -- Austria -- Vienna -- 19th century.","Operetta -- Austria -- Vienna -- 20th century.","Strauss, Johann, 1825-1899 -- Criticism and interpretation.","Lehár, Franz, 1870-1948 -- Criticism and interpratation.","Stolz, Robert, 1880-1975 -- Criticism and interpretaion."],"dc:title":["Developments in Viennese operetta in Johann Strauss, Franz Lehár, and Robert Stolz."],"dc:type":["Thesis"],"thesis:degree_level":["Masters"],"thesis:degree_name":["M.M."],"thesis:institution_name":["Baylor University."]},"updated_at":"2026-07-24T01:08:10Z"}