Global ETD Search

Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

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Showing 1 to 20 of 111 for “"live performance"”.

  1. Multimedia and Live Performance

    The use of interactive multimedia within live performance is now well established and a significant body of exciting and sophisticated work has been produced. However, almost all work in the field seems to start by creating at least some of the software and hardware systems that will provide the …

    de-montfort Repository record for Multimedia and Live Performance (opens in a new tab)

  2. Live performance, touring and music in the digital age

    … is to understand the importance and necessity of live performance to the music industry and the state of the music industry in the current digital revolution/era. What is still quite a “manual” aspect of the music industry, live performance and in particular touring, still figures quite heavily in …

    salford Repository record for Live performance, touring and music in the digital age (opens in a new tab)

  3. The Electroacoustic and its Double: Duality and Dramaturgy in Live Performance

    Live electroacoustic performance juxtaposes and superimposes two main elements: the real, present and physical, against the simulated and disembodied. In this sense, it is a liminal form which negotiates two different worlds on stage. In this dissertation I will address some central aspects of …

    city-london Repository record for The Electroacoustic and its Double: Duality and Dramaturgy in Live Performance (opens in a new tab)

  4. Shifting Interfaces: art research at the intersections of live performance and technology

    … amongst artists using new media technologies in performance, and culminates in the identification of an emerging 'community of practice' coming together around the formation of a unique body of knowledge pertaining to dance. The late 1990s New Media Art movement provided a supportive context for …

    plymouth Repository record for Shifting Interfaces: art research at the intersections of live performance and technology (opens in a new tab)

  5. Dervish Sound Dress; An Investigation of Wearable Technology Using Computer Music and Haptic Mechanisms for Live Performance

    … clothing, biometrics, cultural traditions and performance. Dervish Sound Dress is a wearable piece of technology; a garment that is inspired by the sacred ‘turning’ experience of the Whirling Dervishes or the Mevlevi Sufi order in Turkey known as the sema. It utilizes the fundamental aspects of …

    plymouth Repository record for Dervish Sound Dress; An Investigation of Wearable Technology Using Computer Music and Haptic Mechanisms for Live Performance (opens in a new tab)

  6. Hyperproduction : an audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time systems

    … model and consequently an abstract state for a live experience through traditional operating paradigms such as mixing audio, operation of lighting, sound or video systems. The hyperproduction system is able to interpret this universal state and automatically utilize additional production …

    mit Repository record for Hyperproduction : an audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time systems (opens in a new tab)

  7. Towards a Theatre for Gamers : a new paradigm of practice in contemporary live performance as a response to games and interactivity in digital media and performance culture

    … and notions of play, be applied to the design of live performance and engage the new game playing audience within contemporary society? To investigate this I have carried out a practice-as-research project within an ethnographic framework and informed by action research methodologies. This study …

    salford Repository record for Towards a Theatre for Gamers : a new paradigm of practice in contemporary live performance as a response to games and interactivity in digital media and performance culture (opens in a new tab)

  8. An exploration of the construction of a relationship between video (videographer) and live performance (theatre-maker/performer) and how the two art forms may inform each other.

    … not, to provide alternate views of reality and live action, and to create a heightened awareness of the medium through its use in an unconventional setting and in ways different to those that we are familiar with. It is my hope that through careful negotiation with the …

    cape-town Repository record for An exploration of the construction of a relationship between video (videographer) and live performance (theatre-maker/performer) and how the two art forms may inform each other. (opens in a new tab)

  9. Making musical magic live : inventing modern production technology for human-centric music performance

    … were simply faithful reproductions of a live performance. Over the past fifty years, recording and production techniques have advanced so far that another challenge has arisen: it is now very difficult for performing artists to give a live performance that has the same impact, complexity …

    mit Repository record for Making musical magic live : inventing modern production technology for human-centric music performance (opens in a new tab)

  10. Responsiveness of Cobb MV × 700 Broilers to Dietary Amino Acid and Energy Density

    … energy have been identified as key drivers of live performance and carcass composition. In addition, increased nutrient density in broiler diets have been linked to an increase in breast muscle myopathies such as white striping and woody breast. Therefore, a series of trials were conducted to …

    arkansas Repository record for Responsiveness of Cobb MV × 700 Broilers to Dietary Amino Acid and Energy Density (opens in a new tab)

  11. Chaucer Live! How Performance Helps Realize the Many Chaucerian Voices in the Prologue of the Canterbury Tales

    … on the theories and presentation of the performance of the General Prologue of the Canterbury Tales I gave on April 9th, 2015. Live performance is a valuable method of conveying Chaucer’s work to an audience as it allows an actor to present the many voices of Chaucer in a more liberated …

    sask Repository record for Chaucer Live! How Performance Helps Realize the Many Chaucerian Voices in the Prologue of the Canterbury Tales (opens in a new tab)

  12. Present Absence: A work for string quintet and live electronics

    … a work that integrates electronic processing and live performance. It is approximately 20 minutes long and is divided into three movements. The movements are distinct from each other, but are related through various elements. Incorporating electronic processing and live performance can be …

    unt Repository record for Present Absence: A work for string quintet and live electronics (opens in a new tab)

  13. Earth Ascending: A Composition in Three Movements for Female Voice, Electroacoustic Music, and Video

    … sixteen minutes and was created specifically for live performance in which all three elements combine to create a sonic and visual environment. As such, no single element has greater importance than any other, with each of the three performing forces assuming a foreground role at various times …

    unt Repository record for Earth Ascending: A Composition in Three Movements for Female Voice, Electroacoustic Music, and Video (opens in a new tab)

  14. SPEAKING OF GENDER, LANGUAGE AND IDENTITY: WRITING THE PERSONAL

    … that merge theory and practice, and scripts for live performance and digital film. To these examples I apply an autobiographical writing method, one that simultaneously reflects and creates, in an enquiry designed to uncover the detail and complexity of my writing motivation through a discursive …

    plymouth Repository record for SPEAKING OF GENDER, LANGUAGE AND IDENTITY: WRITING THE PERSONAL (opens in a new tab)

  15. Trad Jazz: Pre-War Aurality in the Postmodern City

    … – a youth oriented aesthetic that lauds the live performance of pre-World War II popular and vernacular music – is a hegemonic, postmodern aesthetic in contemporary capitalism. Expanding upon methods and theories from the anthropology of sound and expressive culture, the author shows the …

    duke Repository record for Trad Jazz: Pre-War Aurality in the Postmodern City (opens in a new tab)

  16. Album Production: A Pedagogical Tool in Collegiate Brass Performance

    … musical album production within collegiate brass performance training and pedagogy. Within the collegiate sphere, brass pedagogy has long centered on live performance, such as juries, recitals, and ensemble participation as a primary performance tool; however, the 21st-century musical landscape is …

    columbus-state Repository record for Album Production: A Pedagogical Tool in Collegiate Brass Performance (opens in a new tab)

  17. Media Scores : A framework for composing the modern-day Gesamtkunstwerk

    … in the creation of expressive works of art and performance. New technologies afford numerous opportunities to tell stories and create expressive artworks through a variety of media. However, the tools of planning, composition, design, and creation of these works remain disjoint with respect to …

    mit Repository record for Media Scores : A framework for composing the modern-day Gesamtkunstwerk (opens in a new tab)

  18. Dr Carnesky’s incredible bleeding woman

    … Woman, Reinventing Menstrual Rituals Through New Performance Practices (DCIBW) is a revelatory, illusory, horror filled, taboo breaking bricolage; a multimodal research project that proposes to reinvent menstrual rituals through new performance practices. DCIBW is a spectacular touring live art …

    middlesex Repository record for Dr Carnesky’s incredible bleeding woman (opens in a new tab)

  19. South African Jazz in Frame: A creative research project exploring South African jazz through photography

    … and sound, and reflecting this through a curated performance and exhibition. Qualitative research methods were used to inform the creative process. The research process was conducted in two parts: semi-structured interviews with three selected South African jazz photographers, followed by a …

    cape-town Repository record for South African Jazz in Frame: A creative research project exploring South African jazz through photography (opens in a new tab)

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