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Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

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Showing 1 to 20 of 47 for “"Video art"”.

  1. Curation of the Video Art Exhibition in the Museum

    … this thesis is to illustrate the importance of video art through a spatial and aesthetic phenomenological framework, revealing the critical nature of aesthetic experiences for forming meaning between art-objects and viewers facilitated through acts of curation. Video art, emerging in the 1960s …

    chapman Repository record for Curation of the Video Art Exhibition in the Museum (opens in a new tab)

  2. Occupying a space in-between: a video art research practice

    … Published Work examines a body of experimental video art practice, in terms of ‘a space in-between’. The themes and concerns in this commentary have been shaped through a reflexive, intersectional lens and largely stem from re-thinking my absence for several years from the world of published …

    oxford-brookes Repository record for Occupying a space in-between: a video art research practice (opens in a new tab)

  3. Pretty gross : aestheticized abjection in feminist video art, 1996-2009

    This thesis examines the work of three video artists -- Pipilotti Rist, Marilyn Minter, and Mika Rottenberg -- who all make work that is simultaneously mesmerizing and repulsive. While Immanuel Kant has argued that beauty and disgust are opposed, these works complicate this binary, as does my …

    mit Repository record for Pretty gross : aestheticized abjection in feminist video art, 1996-2009 (opens in a new tab)

  4. A feminist dialogue with the camera: strategies of visibility in video art practices.

    … Western context. The focus of the thesis is on video art, which, I argue, can be both a radical tool for deconstructing dominant mainstream images of femininity and play a role in developing progressive re–presentations of female subjectivities. This thesis argues that there is a need to revisit …

    arts-london Repository record for A feminist dialogue with the camera: strategies of visibility in video art practices. (opens in a new tab)

  5. Infrastructure, Production, and Archive: American and Japanese Video Art Production of 1960s and 1970s

    <p>Focusing a study on the infrastructure of artistic production and maintenance opens a space in which to examine the relationship between artistic inspiration and knowledge making, the occurrences and the writing of its history. In the case of the comparative study of the emergence of Japanese …

    cuny-grad Repository record for Infrastructure, Production, and Archive: American and Japanese Video Art Production of 1960s and 1970s (opens in a new tab)

  6. The medium is the medium : the convergence of video, art and television at WGBH (1969)

    … was a half-hour long compilation of short videos by six artists. The six pieces ranged from electronically manipulated imagery set to the music of the Beatles to an attempt at communication between four separate locations through audio-visual technology. As the narrator, David Oppenheim, …

    mit Repository record for The medium is the medium : the convergence of video, art and television at WGBH (1969) (opens in a new tab)

  7. Defining Video Space Art within Video Installations in the Context of Spaces and Spectators

    This thesis is to introduce and examine Video Space Art as a form of Video Art. Being primarily practice-based research, it offers a theoretical and conceptual framework to find a better understanding for my artistic practices. The thesis studies the classification of Video Art. It contains an …

    arts-london Repository record for Defining Video Space Art within Video Installations in the Context of Spaces and Spectators (opens in a new tab)

  8. Proyecto de producción transmedia "Parto Contemporáneo" a partir del poemario "Parto"

    Parto contemporáneo" is an artistic project that uses transmedia logic to question the spectators in a stimulating and current way. Based on the concept of the poetry book written by Guadalupe García Blesa, the expansion of a universe that includes video art, an EP of four songs and a photographic …

    lima Repository record for Proyecto de producción transmedia "Parto Contemporáneo" a partir del poemario "Parto" (opens in a new tab)

  9. Control, Devices, Society, and Memes

    … each other. In this thesis I suggest that in art the artist and the audience both exert forces. However, sometimes both think they are in control of the action and/or reaction. I am exploring “control” in interactive and performance audio and video art. Every action that the audience member …

    govst Repository record for Control, Devices, Society, and Memes (opens in a new tab)

  10. Performing Resistance/Negotiating Sovereignty: Indigenous Women's Perofrmance Art in Canada

    … Sovereignty: Indigenous Women’s Performance Art In Canada investigates the contemporary production of Indigenous performance and video art in Canada in terms of cultural continuance, survivance and resistance. Drawing on critical Indigenous methodology, which foregrounds the necessity of …

    queens Repository record for Performing Resistance/Negotiating Sovereignty: Indigenous Women's Perofrmance Art in Canada (opens in a new tab)

  11. Dissertation in Which There Appear Lost Punchlines, Dreadful Puns, Low Resolution, etc.: On the Failure of Humour in Avant-garde Film and Video

    … has served in American avant-garde film and video, arguing that humour is involved consistently in many of the key operations and philosophies that have energized these moving image practices. Taking humour as an alternative historical and interpretive lens, this dissertation conducts new …

    york Repository record for Dissertation in Which There Appear Lost Punchlines, Dreadful Puns, Low Resolution, etc.: On the Failure of Humour in Avant-garde Film and Video (opens in a new tab)

  12. Meilės ir mirties tema videošokyje /

    … interpretation of dance for cameras. The final part consists of two parts. Part I - theoretical, part II - practical. Theoretical part is divided into sections which have sub-sections. The first section presents theoretical approach of love and death phenomenon. The critical analysis is developed …

    vilnius Repository record for Meilės ir mirties tema videošokyje / (opens in a new tab)

  13. Korean art and the avant-garde dilemma

    The thesis covers Korean avant-garde art history and the dilemma that faced Korean artists at the end of the Japanese Colonial Period (1910-1945). Current literature adequately details avant-garde as progressive fine arts; however, there is limited literature on Korean art in this period. This …

    nott-trent Repository record for Korean art and the avant-garde dilemma (opens in a new tab)

  14. Cross-arts Production Methods Utilising Collectives

    The very notion of ‘cross-arts’ calls for large collaborations of artists that serve different art disciplines and are eager to spend time in an artistic collective environment. The roles of the participants are not always distinct; in these productions artists acquire roles in a variety of …

    de-montfort Repository record for Cross-arts Production Methods Utilising Collectives (opens in a new tab)

  15. The vampire inside my camera: an exhumation of gender, monstrosity and queer worldmaking through photography and video

    … and queer worldmaking through photography and video uses the vampire character as metaphor investigating shame and desire through a queer lens. Examining how the vampire has taken shape in the public imagination, this text discusses folktales, art- historical and literary influences. Through a …

    cape-town Repository record for The vampire inside my camera: an exhumation of gender, monstrosity and queer worldmaking through photography and video (opens in a new tab)

  16. Beside Oneself: Towards a Participatory Feminist Art Practice

    … my dissertation in studio-based visual art is part of a larger discussion about the role of art and the viewer-participant within social and political systems. Working with queer theorist Eve Kosofsky Sedgwick’s notion of beside and what she calls its useful resistance to narratives, as …

    york Repository record for Beside Oneself: Towards a Participatory Feminist Art Practice (opens in a new tab)

  17. Dan Graham's Video-Installations of the 1970s

    This dissertation examines the video-installations created by American artist Dan Graham in the 1970s. It investigates the artist's relationship to Minimalism by analyzing themes Graham highlights in his own writings and in interviews. In particular, I explore how the artist's understanding of …

    vcu Repository record for Dan Graham's Video-Installations of the 1970s (opens in a new tab)

  18. The Difficult Impossible: Writing, Perfomance and the Subject

    … in which performance (especially performance art) might serve as a critical and methodological lens through which to explore the practice of writing — primarily the author's own. It is located in the recentiy designated field of Performance Writing, whose interdisciplinary approach it adopts. …

    plymouth Repository record for The Difficult Impossible: Writing, Perfomance and the Subject (opens in a new tab)

  19. Documentation art and Korean Bunche painting : an investigation of Deleuze’s Transcendental Realism through the painting process

    This art practice-based research aims to rediscover Gilles Deleuze’s theory of art as an aesthetics of Transcendental Realism through the process of Korean Bunche painting. Bunche painting, which I have been working on for twenty years, refers to a thousand-yearold traditional Korean painting …

    lancaster Repository record for Documentation art and Korean Bunche painting : an investigation of Deleuze’s Transcendental Realism through the painting process (opens in a new tab)

  20. Young People at Europe's Margins: An Intimate Geopolitics of the Future

    … I argue that the emigration phenomenon is part of a profound geopolitical shift led by young people. This shift emerges as a response to the radical disjuncture between the promises they grew up with, of a country that would become ‘modern’, ‘European’, and ‘normal’, and the realities of …

    cambridge Repository record for Young People at Europe's Margins: An Intimate Geopolitics of the Future (opens in a new tab)

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