Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 15 of 15 for “"Stanislavski"”.
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"Attention, absorption and habit: the Stanislavski System reexamined as a cognitive process using the ""Theatre of Consciousness"" model of Bernard Baars"
Konstantin Stanislavski stated that “Art should be on good terms with science.” This was far from an unqualified statement, as he stridently resisted the “scientific sophistries” that some actors used to replace true creative art. He recognized right away that art must make use of science in order …
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The Laramie Project: The Search For A Personal Acting Method Via The Principles Of Constantin Stanislavksi
Constantin Stanislavski developed a method for actors in bringing to life characters for the stage. Even though Stanislavski developed his theories in response to the stage climate of the late nineteenth and early twentieth centuries, many of his ideas remain relevant today. In this study, parts of …
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Family Systems Theory in Chekhov’s ‘Big Four’ Plays
… a boon to the creation and development of the Stanislavski acting system. This thesis is an exercise in character creation through psychological analysis. The primary character relationships are explored in each of Chekhov’s four major plays. Each play is analyzed using the Bowen principle that …
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Hacer o no hacer, reflexiones sobre la construcción de un rol romántico con el método realista stanislavskiano de la primera etapa
… de la primera etapa del trabajo de Constantin Stanislavski (1863- 1938) en la construcción de un rol romántico en el contexto actual, donde se tensionan tres épocas y tres modos de producción y creación distintos. Se analizará el proceso creativo como experiencia-acción en los ensayos (2018) de …
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Shakespeare in Present-Day British Theatre: Where Text Meets Practice
… focusing on the director and theorist Konstantin Stanislavski. A revisionist view of Stanislavskian practice is offered, returning to the theorist’s own writings to establish differences with the American Method. The thesis then turns to prominent directors in British theatre (working since the …
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The Michael Chekhov Technique: In The Classroom and On Stage
Referred to by Constantin Stanislavski as “My most brilliant pupil,” Michael Chekhov’s approach to acting is founded in an understanding of the artist as a whole being whose thoughts, feelings, desires, voice, and physical body are intimately interwoven. The Michael Chekhov technique trains these …
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Estudio de la partitura actoral como recurso técnico-creativo en las poéticas de grandes directores de escena: propuestas de sistematización técnico-creativas para el trabajo del director con el actor a partir de la partitura
… escena de la historia del teatro como son K. S. Stanislavski y V. E. Meyerhold. Planteada para analizar y conocer la importancia de la partitura en el trabajo de la dirección de actores, la presente tesis doctoral pretende fundamentar, desde un punto de vista teórico, cómo la partitura actoral …
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Influence of a drama based education program on the development of empathy in year 10, Western Australian students
… with the Actor Training system of Constantin Stanislavski, and the Forum Theatre model developed by Augusto Boal, was tested for its efficacy in increasing empathy in adolescents. This study took the form of a ten-week drama-based program intervention (The Empathy Program) conducted at one …
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Being an actor/becoming a trainer: the embodied logos of intersubjective experience in a somatic acting process
… experience as problematic logocentrism in Stanislavski-inspired actor-training traditions. It is informed in practice by Linda Hartley’s IBMT (Integrative Bodywork and Movement Therapy) somatic approach, which is based upon Bonnie Bainbridge Cohen’s Body-Mind Centering® (BMC®) principles. I …
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The Way of Transformation (The Laban-Malmgren System of Dramatic Character Analysis)
… functions and types; and the acting system of C. Stanislavski and his main followers. The three strands were brought together by the dancer and acting teacher Yat Malmgren (1916-2002), who taught his system for over forty years to some of the major figures of world theatre and film: Peter Brook, …
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Pigments of Imagination: An Actor's Journey of Creating the Character of Jack Lawson from David Mamet's Race
<p>Abstract</p> <p>The purpose of this study is to create a believable, multiple dimension character portrayal of Jack Lawson in David Mamet’s <em>Race.</em> Documentation of the process will include: an explanation of the acting technique and analysis used to create the backstory and portrayal of …
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Enacting Cognition: Actor Education and the Performance of Everyday Life
This qualitative study explores inner and outer experience in the context of dramatic arts, and specifically in actor education. The author defines experience as the richness of now. It is everything that we bring to each moment, and everything that each moment brings to us. The dynamic space …
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Alba Emoting: A Safe, Effective, and Versatile Technique for Generating Emotions in Acting Performance
… how Alba Emoting may be used with aspects of Stanislavski's System of Acting and Jeremy Whelan's Mosaic Acting System. It also demonstrates how Alba Emoting is used by Hyrum Conrad to create his ArcWork. The purpose of this thesis is to convince universities, conservatories, and other acting …