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Showing 1 to 20 of 26 for “"Piano sonatas"”.

  1. A study of two piano sonatas by Vincent Persichetti

    uiuc

  2. The piano sonatas by Harold Shapero: a stylistic synthesis

    … investigation into the stylistic language of the piano sonatas of Harold Shapero (1920-2013)—a twentieth-century American composer who is recognized as a member of the “Stravinsky School,” particularly for his emulation of Stravinsky’s Neoclassical style. Within its consideration of Neoclassical …

    uiuc Repository record for The piano sonatas by Harold Shapero: a stylistic synthesis (opens in a new tab)

  3. Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides

    … into the musical language found in the Mozart sonatas K. 281, 333, 457 and 576. The contemporaneous concepts of the phrase punctuation, expansion and extension, phrase hierarchy, logical relations, and topics forms the basis of the analyses. Insights from the analysis lead to suggestions for …

    uiuc Repository record for Performance Insights for Mozart Piano Sonatas Derived from Eighteenth-Century Compositional Guides (opens in a new tab)

  4. The Six Piano Sonatas of James Sellars: Aspects of Form, Rhythm, Texture, and Style

    … chamber, voices with ensemble, solo voice, piano, instrumental solos, band, and media. Sellars' compositions for piano solo span a 38-year period and total 17 works, the most important of which are his six one-movement sonatas, which represent, according to Sellars, "a journey from modernism …

    unt Repository record for The Six Piano Sonatas of James Sellars: Aspects of Form, Rhythm, Texture, and Style (opens in a new tab)

  5. Aspects of Form, Tonality, and Texture in the ''Farewell'' Piano Sonatas of Beethoven and Dussek

    … Ludwig van Beethoven (1770-1827), each wrote one piano sonata with a "Farewell" title. The Bohemian musician Dussek was one of the renowned composers of his era. He was also famous as a pianist, with a brilliant and virtuosic style of playing. Beethoven was a German composer who has become …

    wvu Repository record for Aspects of Form, Tonality, and Texture in the ''Farewell'' Piano Sonatas of Beethoven and Dussek (opens in a new tab)

  6. A Study of the Beethoven Piano Sonatas in the Light of Evidence Provided by Beethoven's Pupils

    Made available in DSpace on 2015-05-12T21:43:06Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 7020953.PDF: 14986669 bytes, checksum: 9ac56a12f85c4ded01cfe2b14cbb518a (MD5) Previous issue date: 1970

    uiuc Repository record for A Study of the Beethoven Piano Sonatas in the Light of Evidence Provided by Beethoven's Pupils (opens in a new tab)

  7. Piano sonatas by South African composers, 1900-2015: a catalogue and compositional analyses of selected works

    The piano sonata’s prominent position in Western art music is reflected in both its long history and its presence in the oeuvres of composers from across the globe. While some information on piano sonatas by South African composers has been included in academic literature, no comprehensive research …

    cape-town Repository record for Piano sonatas by South African composers, 1900-2015: a catalogue and compositional analyses of selected works (opens in a new tab)

  8. A Survey of the Piano Sonatas of Wilhelm Stenhammar (1871-1927) with Performance Suggestions for the Piano Sonata in G Minor

    … brief analysis of the formal structures of five sonatas and performance suggestions for the G minor piano sonata of Wilhelm Stenhammar. This paper explores aspects of piano performance, such as the basic technical approach, interpretation suggestions, as well as examinations of pedaling, possible …

    wvu Repository record for A Survey of the Piano Sonatas of Wilhelm Stenhammar (1871-1927) with Performance Suggestions for the Piano Sonata in G Minor (opens in a new tab)

  9. Schubert: The Musical Poet Sonata D 959 and Its Pianistic Challenges

    <p>Schubert composed the last three piano sonatas in September of 1828, and these works represent the peak of the composer's achievement in the sonata genre. Schubert's distinctive style lies in his compositional voice, which originated in his <em>lieder</em>, but projected equally well to the …

    denver Repository record for Schubert: The Musical Poet Sonata D 959 and Its Pianistic Challenges (opens in a new tab)

  10. The piano and violoncello sonatas of Ludwig Van Beethoven

    Ludwig van Beethoven's Sonatas for Piano and Violoncello have been somewhat neglected in terms of published study. Drabkin (1991a, n.p.) considers that the early sonatas "have received far less attention than they deserve", a deficiency which Lockwood attributes, in the case of the cello sonatas in …

    cape-town Repository record for The piano and violoncello sonatas of Ludwig Van Beethoven (opens in a new tab)

  11. "Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary

    … around 1800. By taking as a case study the piano sonatas Op. 31, each chapter examines from a different perspective what represents a key historical moment in the genealogy of the modern notions of musical form and experience. The underlying thesis is that instrumental music was legitimized …

    columbia-diss Repository record for "Modernity's hearing loss" : Beethoven, romantic critique, and the music of the literary (opens in a new tab)

  12. "What is ""Normal?"" A Beethovenian Reconsideration of Some of Tovey's Aesthetic Principles"

    … abnormal compositions, the mature two-movement piano sonatas (Opp. 54, 78, 90, and 111) and the eleven bagatelles, Op. 119. Ultimately, I find that while Tovey’s concepts are helpful, they do not yield equally fruitful results when applied to several types of pieces.

    uiuc Repository record for "What is ""Normal?"" A Beethovenian Reconsideration of Some of Tovey's Aesthetic Principles" (opens in a new tab)

  13. Towards a performance of Scriabin's Sonata No. 6, Op. 62: a practice-led exploration

    … descriptions found in the scores of his late piano music, which suggest that the musical content is closely connected to Scriabin’s own very individual philosophical belief system. There has already been research in this area, connecting the music of the late piano sonatas with Mystic Russian …

    city-london Repository record for Towards a performance of Scriabin's Sonata No. 6, Op. 62: a practice-led exploration (opens in a new tab)

  14. Franz Liszt's "Dante Sonata": The origins, the criticism, a selective musical analysis, and commentary

    … music regarded as "spiritual," (e.g., the late piano sonatas, the late string quartets), Liszt sought to articulate a category of music specifically religious, apart from vocal, liturgical associations. Liszt invented such music at the piano, an instrument incorporating the variety of sounds, …

    arizona-thes Repository record for Franz Liszt's "Dante Sonata": The origins, the criticism, a selective musical analysis, and commentary (opens in a new tab)

  15. New light on Nikolay Medtner as pianist and teacher

    … of his life in the UK. He wrote mainly for the piano, composing 14 piano sonatas, three piano concertos, 108 songs, three violin sonatas, a piano quintet and more than 90 pieces for solo piano. Although he performed and recorded, and was considered a prominent composer while he was resident in …

    city-london Repository record for New light on Nikolay Medtner as pianist and teacher (opens in a new tab)

  16. A graduate recital in piano

    13 audio files + 1 PDF file (iii, 14 pages)

    northern-iowa Repository record for A graduate recital in piano (opens in a new tab)

  17. A master's recital in piano

    8 audio files + 1 PDF file

    northern-iowa Repository record for A master's recital in piano (opens in a new tab)

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