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Showing 1 to 20 of 81 for “"Musical Style"”.

  1. Joe Chambers: musical style and concept, 1964 — 1973

    … and educator Joe Chambers. The analysis of his musical style and concept will focus on the period between his 1964 recording debut with Freddie Hubbard and his first album as a bandleader in 1973. This period represents a seminal chapter in Chambers’ lengthy career, during which he developed and …

    uiuc Repository record for Joe Chambers: musical style and concept, 1964 — 1973 (opens in a new tab)

  2. Claude Debussy's Nocturnes and His Musical Style In the1890s

    … two hundred years. Debussy established a new musical style, and his innovations have influenced generations of composers.</p> <p>In the 1890s Debussy freed himself from Wagner's influence and created his own musical style. His only String Quartet, Prélude à l'Après-midi d'un faune, Pelléas et …

    south-carolina Repository record for Claude Debussy's Nocturnes and His Musical Style In the1890s (opens in a new tab)

  3. An analysis of the musical style of Miriam Makeba

    … motivation behind this study is to explore the musical style of the late Miriam Makeba. The intention is that it will add a valuable contribution to the study of South African musicians and those subsequent scholars, with a common interest, will use the work to further the analytical study of …

    cape-town Repository record for An analysis of the musical style of Miriam Makeba (opens in a new tab)

  4. Maria Schneider's "Hang Gliding": Dual Analyses for a Hybrid Musical Style

    … As such, musicians are influenced by different styles of music from all around the world due to their own travels and the availability of music recordings. This thesis deals with the challenges of analyzing modern music that has been influenced by different genres and therefore does not fit into …

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  5. The development of musical style sensitivity in elementary school-age children

    … this study was to investigate the development of musical style sensitivity in elementary school-age children. The problem was to discover the extent to which children in first through sixth grade are sensitive to style differences in music. The following questions were formed to facilitate the …

    uiuc Repository record for The development of musical style sensitivity in elementary school-age children (opens in a new tab)

  6. The Persian ney: A study of the instrument and its musical style

    In view of the fact that the Ney-e Haftband is the only wind tradition in classical Persian music, the lack of attention paid to it in previous scholarly studies is rather surprising. This dissertation is a study of the Persian ney and its music as it emerged in the city of Esfehan during the …

    uiuc Repository record for The Persian ney: A study of the instrument and its musical style (opens in a new tab)

  7. Directive, interactive and collaborative compositional methodologies and the consolidation of musical style: PhD portfolio of compositions and written commentary

    … of the impact of each model on my compositional style leads to a final approach, where aspects considered to be successful in the directive and interactive models are fused to create a bespoke approach that best serves to consolidate my musical style. This model is applied in two final …

    qu-belfast Repository record for Directive, interactive and collaborative compositional methodologies and the consolidation of musical style: PhD portfolio of compositions and written commentary (opens in a new tab)

  8. "Petr Eben's Oratorio ""Apologia Sokratus"" (1967) and Ballet ""Curses and Blessings"" (1983): An Interpretative Analysis of the Symbolism Behind the Text Settings and Musical Style"

    … features of Eben's music. His melodic style incorporates influences as diverse as Gregorian chant and folk tunes on the one hand, and modern vocal techniques such as Sprechgesang and vocal aleatoricism on the other. His harmonic language includes bitonality and polytonality, used to …

    uiuc Repository record for "Petr Eben's Oratorio ""Apologia Sokratus"" (1967) and Ballet ""Curses and Blessings"" (1983): An Interpretative Analysis of the Symbolism Behind the Text Settings and Musical Style" (opens in a new tab)

  9. Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style

    Made available in DSpace on 2010-08-20T18:01:32Z (GMT). No. of bitstreams: 4 Matova_Nelly.pdf: 14172125 bytes, checksum: 221b568203633c0e067999cd57dcf663 (MD5) Matova_Nelly.doc: 23407104 bytes, checksum: 557b296d6a36576bb0af61a64ed72039 (MD5) 1_Matova_Nelly.pdf: 13528513 bytes, checksum: …

    uiuc Repository record for Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style (opens in a new tab)

  10. An Analytical Study of Mily Alekseyevich Balakirev's Musical Style in his Early Piano and Orchestra Works: Grande Fantaisie on Russian Folk Songs and Concerto Op.1 in F# Minor.

    Balakirev's two early piano and orchestra works, Grande Fantaisie on Russian Folk Songs and Concerto Op. 1 in F# Minor, were composed in the middle of the nineteenth century when in Russia there were no particularly important works for piano and orchestra. Balakirev was still a teenager when he …

    unt Repository record for An Analytical Study of Mily Alekseyevich Balakirev's Musical Style in his Early Piano and Orchestra Works: Grande Fantaisie on Russian Folk Songs and Concerto Op.1 in F# Minor. (opens in a new tab)

  11. Francois Rabbath Applied: An Analysis of His Technique for a Successful Performance of Frank Proto's Music

    … paper analyzes double bassist Francois Rabbath's musical style and instrumental techniques, and the influence and applicability of them in Frank Proto's compositions. Chapter 1 includes biographical information about Rabbath while chapter 2 discusses his general musical style, including some extra …

    uiuc Repository record for Francois Rabbath Applied: An Analysis of His Technique for a Successful Performance of Frank Proto's Music (opens in a new tab)

  12. Through the Prism of the Wellspring: From National, to Societal, to Individual in Marin Goleminov's String Quartets

    … of his unique artistic voice and compositional style. During this time, he confronted the expression of national sentiment and tradition, followed by inclusion of societal ideals and socialist aesthetics, finally to arrive at the clear articulation of his own individualized soundworld and …

    uiuc Repository record for Through the Prism of the Wellspring: From National, to Societal, to Individual in Marin Goleminov's String Quartets (opens in a new tab)

  13. An Original Composition for Chorus Missa Brevis

    … alternatives in the selection of a suitable musical style. These choices were narrowed to include (1) "traditional" or "romantic"; (2) "pop"; or "jazz"; (3) "folk-mass"; or (4) avant garde. The ultimate choice was a synthesis, consisting of devices from fourteenth century music, and elements …

    central-wash Repository record for An Original Composition for Chorus Missa Brevis (opens in a new tab)

  14. Synthesis of Style in Gabriel Faure's Preludes for Piano

    … he synthesized a traditional, yet progressive, musical style.</p><p>Faure's Preludes for Piano are relatively late works which pro vide a clear view of his stylistic synthesis— a synthesis which is characterized by a remarkable conciseness of construction. An exami nation of his use of harmony, …

    nodak Repository record for Synthesis of Style in Gabriel Faure's Preludes for Piano (opens in a new tab)

  15. Style in the Music of Arthur Sullivan: An Investigation

    … of music in all genres and assesses the place of musical style within them. Of interest is the case of the comic operas where the composer uses parody and allusion to create a persuasive counterpart to the libretto. The thesis attempts to place Sullivan in the context of his time, the conditions …

    the-open-u Repository record for Style in the Music of Arthur Sullivan: An Investigation (opens in a new tab)

  16. English opera and song books, 1703-1726: Their contents, publishing, printing, and bibliographical description

    … history and the infiltration of Italian musical style, musicians and texts into London's music-making; the publishing history of opera and song books; the techniques and materials used to print such books; and the problems of bibliographical description caused by engraved materials, …

    uiuc Repository record for English opera and song books, 1703-1726: Their contents, publishing, printing, and bibliographical description (opens in a new tab)

  17. Sacred Vocal Compositions Including Trumpet Parts by Pavel Josef Vejvanovsky (c.1639--1693)

    Vejvanovsky's musical style, like the other composers in the Hapsburg territories, is grounded in the principles of rhetoric and based on Italian models. Yet, he is able to inject a refreshing and individual approach to his compositions, particularly in his use of color and harmonic style. His …

    uiuc Repository record for Sacred Vocal Compositions Including Trumpet Parts by Pavel Josef Vejvanovsky (c.1639--1693) (opens in a new tab)

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