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Showing 1 to 20 of 67 for “"Brahms"”.

  1. Brahms' Vier Ernste Gesange

    … composition. Inasmuch as this cycle is one of Brahms' most introspective compositions, a study of this work would seem to have value for any singer.

    central-wash Repository record for Brahms' Vier Ernste Gesange (opens in a new tab)

  2. Richard Heuberger's Erinnerungen an Johannes Brahms : the life, work and times of Johannes Brahms as revealed by a contemporary

    … importance of his friend and colleague, Johannes Brahms, began to record meticulously each of their meetings and conversations in the form of a journal. It was not until 1971, however, that the complete journal appeared in the original German language, with commentary by editor Kurt Hofmann …

    ballstate-thes Repository record for Richard Heuberger's Erinnerungen an Johannes Brahms : the life, work and times of Johannes Brahms as revealed by a contemporary (opens in a new tab)

  3. A Historiography of Musical Historicism: The Case of Johannes Brahms

    Johannes Brahms (1833-1897) lived in an epoch marked by the 1848 revolution that precipitated social, cultural, and economical changes. In the realm of music, the extension of concert repertory to music of the past, and the emergence of historical writings reflected a greater awareness of music …

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  4. A Historiography of Musical Historicism: The Case of Johannes Brahms

    Johannes Brahms (1833-1897) lived in an epoch marked by the 1848 revolution that precipitated social, cultural, and economical changes. In the realm of music, the extension of concert repertory to music of the past, and the emergence of historical writings reflected a greater awareness of music …

    tdl Repository record for A Historiography of Musical Historicism: The Case of Johannes Brahms (opens in a new tab)

  5. Accentual counterpoint and metrical narrative in the music of Brahms

    … thesis introduces a web of concepts to analyse Brahmsian metre and move toward a more nuanced understanding of metrical expression and narrative in his music. Recent analytical studies of metre in common-practice Western classical music have utilised a powerful analogy of consonance and …

    cambridge Repository record for Accentual counterpoint and metrical narrative in the music of Brahms (opens in a new tab)

  6. Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano

    Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano This submission for the degree of Master of Philosophy in musical performance at the Elder Conservatorium of Music, University of Adelaide, consists ofa portfolio of two CDs containing recorded performances of …

    adelaide Repository record for Performing Brahms: Rediscovering expressive devices in the sonatas for violin and piano (opens in a new tab)

  7. Johannes Brahms & Richard Mühlfeld: Sonata in F Minor for Clarinet & Piano, Op. 120 No. 1

    <p>Johannes Brahms (1883-1897) originally planned to retire from composing after completing his String Quintet in G Major ("Prater"), Op. 111. However, his mind was quickly changed after being inspired by the performances of Meiningen clarinetist Richard Miihlfeld (1859-1907). Brahms enjoyed …

    columbus-state Repository record for Johannes Brahms & Richard Mühlfeld: Sonata in F Minor for Clarinet & Piano, Op. 120 No. 1 (opens in a new tab)

  8. "The allure of Beethoven's ""Terzen-Ketten"": third-chains in studies by Nottebohm and music by Brahms"

    My primary argument concerns Brahms’s use of a specific musical resource: chains of thirds or “Terzen-Ketten” as this device is sometimes described in the original sources. Brahms used third-chains in various ways as a motivic and harmonic technique. Some of his earlier works, such as the Piano …

    uiuc Repository record for "The allure of Beethoven's ""Terzen-Ketten"": third-chains in studies by Nottebohm and music by Brahms" (opens in a new tab)

  9. The piano and violin and piano and cello sonatas of Brahms : a study of selected recordings

    … a comparative study of selected recordings of Brahms's sonatas for piano and violin and for piano and cello. The introduction establishes guidelines which are essential when interpreting Brahms's works. It highlights the fact that Brahms was a neoclassicist and points out his typical …

    cape-town Repository record for The piano and violin and piano and cello sonatas of Brahms : a study of selected recordings (opens in a new tab)

  10. A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’s Clarinet Sonata

    … Classical period; and (2) analyze and compare Brahms' Sonata (E-flat major) for Clarinet and Piano, Op. 120, No. 2 to that of Hindemith's Sonate for Clarinet and Piano.

    central-wash Repository record for A Brief History of the Sonata with an Analysis and Comparison of a Brahms’ and Hindemith’s Clarinet Sonata (opens in a new tab)

  11. Brahms' Variations and Fugue on a Theme by Handel, Op. 24: A Study of the Technique of Harmonic Variation

    It is the purpose of this study to isolate as much as possible a single technique, harmonic variation, and explore its techniques and uses through the study of a complete set of variations. The study is limited to harmonic concepts, procedures, and techniques used by the composer in the development …

    central-wash Repository record for Brahms' Variations and Fugue on a Theme by Handel, Op. 24: A Study of the Technique of Harmonic Variation (opens in a new tab)

  12. The Principle of Variation: A Study in the Selection of Differences With Examples From Dallapiccola, J. S. Bach, and Brahms

    … opus 56a (the orchestral version) by Johannes Brahms, and Quaderno Musicale di Annalibera for piano solo by Luigi Dallapiccola. The compositions, each a set of variations, are discussed from five perspectives, the dissertation itself being a set of five variations on the topic of investigating …

    uiuc Repository record for The Principle of Variation: A Study in the Selection of Differences With Examples From Dallapiccola, J. S. Bach, and Brahms (opens in a new tab)

  13. A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version): from musical aesthetics to modern performances

    … on the two very different versions of Johannes Brahms' Piano Trio in B major, Op. 8 – the first version of 1854 and the revised version of 1889 (or Op. 8a and Op. 8b, respectively) – by establishing a biographical and compositional relationship with Schumann's Piano Trio in D minor, Op. 63 …

    city-london Repository record for A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version): from musical aesthetics to modern performances (opens in a new tab)

  14. Doctoral thesis recital (collaborative piano)

    Violin sonata no. 2, op. 100 / Johannes Brahms -- [Unidentified work for clarinet and piano]

    texas Repository record for Doctoral thesis recital (collaborative piano) (opens in a new tab)

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