Time has turned into space and there will be no more time: The scenic late works of Morton Feldman

This dissertation studies the long, late works of Morton Feldman. Tackling this confusing body of work from an aural and experiential perspective, the dissertation develops a preliminary method for analysis and reflects on the unusual temporal experiences engendered by the music, including experiences of time in an annular dimension and the constitution by the listener of an "aural plane."

Name thesis:degree_name

Doctor of Philosophy (PhD)

Level thesis:degree_level

Dissertation

Discipline thesis:degree_discipline

Music

Year dc:date.available

2011

Author dc:creator

• Pace, Matthew

Contributors dc:contributor

• Robert Snarrenberg

• Music
• Art criticism
• abstract
• Feldman
• Morton
• patterns
• symmetry

Language dc:language

English (en)

DOI

https://doi.org/10.7936/K7C827DF

OAI identifier oai:identifier

oai:openscholarship.wustl.edu:etd-1629