{"id":{"repo_id":"wustl","oai_identifier":"oai:openscholarship.wustl.edu:etd-1629"},"canonical_url":"https://search.dev.ndltd.org/etd/wustl/oai:openscholarship.wustl.edu:etd-1629","repository":{"repo_id":"wustl","name":"Washington University in St. Louis","base_url":"https://openscholarship.wustl.edu/do/oai/"},"display":{"title":"Time has turned into space and there will be no more time: The scenic late works of Morton Feldman","abstract":"This dissertation studies the long, late works of Morton Feldman. Tackling this confusing body of work from an aural and experiential perspective, the dissertation develops a preliminary method for analysis and reflects on the unusual temporal experiences engendered by the music, including experiences of time in an annular dimension and the constitution by the listener of an \"aural plane.\"","abstract_html":"This dissertation studies the long, late works of Morton Feldman. Tackling this confusing body of work from an aural and experiential perspective, the dissertation develops a preliminary method for analysis and reflects on the unusual temporal experiences engendered by the music, including experiences of time in an annular dimension and the constitution by the listener of an "aural plane."","abstract_has_math":false,"creators":["Pace, Matthew"],"institution":null,"degree_name":"Doctor of Philosophy (PhD)","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Robert Snarrenberg"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T06:12:25Z","subjects":["Music","Art criticism","abstract","Feldman","Morton","patterns","symmetry"],"languages":["English (en)"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.7936/K7C827DF"],"render_values":[{"text":"https://doi.org/10.7936/K7C827DF","href":"https://doi.org/10.7936/K7C827DF","code":true}]}]},"links":{"outbound_url":"https://openscholarship.wustl.edu/etd/630","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Robert Snarrenberg"]},{"key":"dc:creator","label":"Author","values":["Pace, Matthew"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2012-05-17T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Philosophy (PhD)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Music","Art criticism","abstract","Feldman","Morton","patterns","symmetry"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English (en)"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://openscholarship.wustl.edu/etd/630"]},{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.7936/K7C827DF"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation studies the long, late works of Morton Feldman. Tackling this confusing body of work from an aural and experiential perspective, the dissertation develops a preliminary method for analysis and reflects on the unusual temporal experiences engendered by the music, including experiences of time in an annular dimension and the constitution by the listener of an \"aural plane.\""]},{"key":"dc:title","label":"Title","values":["Time has turned into space and there will be no more time: The scenic late works of Morton Feldman"]}]}],"canonical_facts":{"dc:contributor":["Robert Snarrenberg"],"dc:creator":["Pace, Matthew"],"dc:date.available":["2012-05-17T07:00:00Z"],"dc:description.abstract":["This dissertation studies the long, late works of Morton Feldman. Tackling this confusing body of work from an aural and experiential perspective, the dissertation develops a preliminary method for analysis and reflects on the unusual temporal experiences engendered by the music, including experiences of time in an annular dimension and the constitution by the listener of an \"aural plane.\""],"dc:identifier":["https://openscholarship.wustl.edu/etd/630"],"dc:identifier.doi":["https://doi.org/10.7936/K7C827DF"],"dc:language":["English (en)"],"dc:subject":["Music","Art criticism","abstract","Feldman","Morton","patterns","symmetry"],"dc:title":["Time has turned into space and there will be no more time: The scenic late works of Morton Feldman"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["Doctor of Philosophy (PhD)"]},"updated_at":"2026-07-24T06:12:25Z"}