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University of Illinois at Urbana-Champaign

Whose Music Is It, Anyway? Black Vocal Ensemble Traditions and the Feminist Choral Movement: Performance Practice as Politics

Abstract

dc:description

A case study of Cincinnati's MUSE---founded and directed by choral Feminism's pioneer Catherine Roma---explores how this chorus alone in the movement began as a White organization but became truly racially integrated.

Degree

thesis:*
Name thesis:degree_name
A.Mus.D.
Level thesis:degree_level
Dissertation
Discipline thesis:degree_discipline
Music
Grantor
University of Illinois at Urbana-Champaign
Year dc:date
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Boerger, Kristina Gisele
Contributors dc:contributor
  • Thomas Turino

Subjects

dc:subject × 1

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
(MiAaPQ)AAI9989946
OAI identifier oai:identifier
oai:www.ideals.illinois.edu:2142/85883

Chain of custody

source
Harvested from
University of Illinois - Urbana-Champaign
Base URL
www.ideals.illinois.edu/oai-pmh
Last updated
2026-07-22
Source record
OAI-PMH GetRecord
citation

Boerger, Kristina Gisele. Whose Music Is It, Anyway? Black Vocal Ensemble Traditions and the Feminist Choral Movement: Performance Practice as Politics. Dissertation thesis, University of Illinois at Urbana-Champaign, 2015. http://hdl.handle.net/2142/85883