{"id":{"repo_id":"uiuc","oai_identifier":"oai:www.ideals.illinois.edu:2142/85883"},"canonical_url":"https://search.dev.ndltd.org/etd/uiuc/oai:www.ideals.illinois.edu:2142/85883","repository":{"repo_id":"uiuc","name":"University of Illinois - Urbana-Champaign","base_url":"https://www.ideals.illinois.edu/oai-pmh"},"display":{"title":"Whose Music Is It, Anyway? Black Vocal Ensemble Traditions and the Feminist Choral Movement: Performance Practice as Politics","abstract":"A case study of Cincinnati's MUSE---founded and directed by choral Feminism's pioneer Catherine Roma---explores how this chorus alone in the movement began as a White organization but became truly racially integrated.","abstract_html":"A case study of Cincinnati's MUSE---founded and directed by choral Feminism's pioneer Catherine Roma---explores how this chorus alone in the movement began as a White organization but became truly racially integrated.","abstract_has_math":false,"creators":["Boerger, Kristina Gisele"],"institution":"University of Illinois at Urbana-Champaign","degree_name":"A.Mus.D.","degree_level":"Dissertation","degree_discipline":"Music","degree_department":null,"school":null,"contributors":["Thomas Turino"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-09-25T22:54:40Z","date_published":"2015-09-25T22:54:40Z","updated_at":"2026-07-22T22:26:26Z","subjects":["Black Studies"],"languages":["eng"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["(MiAaPQ)AAI9989946"],"render_values":[{"text":"(MiAaPQ)AAI9989946","href":null,"code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/2142/85883","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Thomas Turino"]},{"key":"dc:creator","label":"Author","values":["Boerger, Kristina Gisele"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2015-09-25T22:54:40Z","2000"]},{"key":"dc:type","label":"Dc Type","values":["text"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation"]},{"key":"thesis:degree_name","label":"Degree Name","values":["A.Mus.D."]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Illinois at Urbana-Champaign"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Black Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["eng"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["http://hdl.handle.net/2142/85883","(MiAaPQ)AAI9989946"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["A case study of Cincinnati's MUSE---founded and directed by choral Feminism's pioneer Catherine Roma---explores how this chorus alone in the movement began as a White organization but became truly racially integrated.","Made available in DSpace on 2015-09-25T22:54:40Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9989946.pdf: 29514203 bytes, checksum: 64cdff0dffacda836739f5bcee279e30 (MD5) Previous issue date: 2000","Embargo set by: Seth Robbins for item 87164 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Open Restriction set for Item 87164 on 2022-02-18T20:50:09Z with date null by eliasbh2@illinois.edu.","Open Restriction set for Item 87164 on 2022-02-18T20:50:12Z with date null by eliasbh2@illinois.edu.","Open","504 p.","Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2000."]},{"key":"dc:title","label":"Title","values":["Whose Music Is It, Anyway? Black Vocal Ensemble Traditions and the Feminist Choral Movement: Performance Practice as Politics"]}]}],"canonical_facts":{"dc:contributor":["Thomas Turino"],"dc:creator":["Boerger, Kristina Gisele"],"dc:date":["2015-09-25T22:54:40Z","2000"],"dc:description":["A case study of Cincinnati's MUSE---founded and directed by choral Feminism's pioneer Catherine Roma---explores how this chorus alone in the movement began as a White organization but became truly racially integrated.","Made available in DSpace on 2015-09-25T22:54:40Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9989946.pdf: 29514203 bytes, checksum: 64cdff0dffacda836739f5bcee279e30 (MD5) Previous issue date: 2000","Embargo set by: Seth Robbins for item 87164 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs","Open Restriction set for Item 87164 on 2022-02-18T20:50:09Z with date null by eliasbh2@illinois.edu.","Open Restriction set for Item 87164 on 2022-02-18T20:50:12Z with date null by eliasbh2@illinois.edu.","Open","504 p.","Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2000."],"dc:identifier":["http://hdl.handle.net/2142/85883","(MiAaPQ)AAI9989946"],"dc:language":["eng"],"dc:subject":["Black Studies"],"dc:title":["Whose Music Is It, Anyway? Black Vocal Ensemble Traditions and the Feminist Choral Movement: Performance Practice as Politics"],"dc:type":["text"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Dissertation"],"thesis:degree_name":["A.Mus.D."],"thesis:institution_name":["University of Illinois at Urbana-Champaign"]},"updated_at":"2026-07-22T22:26:26Z"}