Abstract
Walking is a practice which parallels and criss-crosses my painting practice. Each mutually informs the other, creating a mobile with which I think about and experience the world. Before seeking to elucidate the knowledge that has developed therein, I reflect on the resistance visual art places on language, and consider the difference between art theory and a theory of practice. I delineate foundational ideas pertaining to the experience of the creative process and the studio, and link these thoughts to aspects of walking. The appendix contains a complete reproduction of the pages of a publication made to accompany my thesis exhibition. This document constitutes the crux of my work. It is a compendium of fragments; stories, questions, images and quotes pertaining to my studio practice. In both form and style, it seeks to communicate authentically the aspects of my practice that refuse straightforward written definition.
Author and committee
dc:creator, dc:contributor.*- Author
-
- Djaballah, Anne-Laure
Subjects
dc:subject × 3Identifiers
dc:identifier.*- Identifier
- hdl:10133/3624
- OAI identifier oai:identifier
- oai:opus.uleth.ca:10133/3624