{"id":{"repo_id":"lethbridge","oai_identifier":"oai:opus.uleth.ca:10133/3624"},"canonical_url":"https://search.dev.ndltd.org/etd/lethbridge/oai:opus.uleth.ca:10133/3624","repository":{"repo_id":"lethbridge","name":"University of Lethbridge","base_url":"https://opus.uleth.ca/server/oai/request"},"display":{"title":"Mobile : painting as a practice of peregrination","abstract":"Walking is a practice which parallels and criss-crosses my painting practice. Each mutually informs the other, creating a mobile with which I think about and experience the world. Before seeking to elucidate the knowledge that has developed therein, I reflect on the resistance visual art places on language, and consider the difference between art theory and a theory of practice. I delineate foundational ideas pertaining to the experience of the creative process and the studio, and link these thoughts to aspects of walking. The appendix contains a complete reproduction of the pages of a publication made to accompany my thesis exhibition. This document constitutes the crux of my work. It is a compendium of fragments; stories, questions, images and quotes pertaining to my studio practice. In both form and style, it seeks to communicate authentically the aspects of my practice that refuse straightforward written definition.","abstract_html":"Walking is a practice which parallels and criss-crosses my painting practice. Each mutually informs the other, creating a mobile with which I think about and experience the world. Before seeking to elucidate the knowledge that has developed therein, I reflect on the resistance visual art places on language, and consider the difference between art theory and a theory of practice. I delineate foundational ideas pertaining to the experience of the creative process and the studio, and link these thoughts to aspects of walking. The appendix contains a complete reproduction of the pages of a publication made to accompany my thesis exhibition. This document constitutes the crux of my work. It is a compendium of fragments; stories, questions, images and quotes pertaining to my studio practice. In both form and style, it seeks to communicate authentically the aspects of my practice that refuse straightforward written definition.","abstract_has_math":false,"creators":["Djaballah, Anne-Laure"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014","date_published":"2014","updated_at":"2026-07-27T20:02:17Z","subjects":["painting","walking","installation"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10133/3624"],"render_values":[{"text":"hdl:10133/3624","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2014"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["painting","walking","installation"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:10133/3624"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["Walking is a practice which parallels and criss-crosses my painting practice. Each mutually informs the other, creating a mobile with which I think about and experience the world. Before seeking to elucidate the knowledge that has developed therein, I reflect on the resistance visual art places on language, and consider the difference between art theory and a theory of practice. I delineate foundational ideas pertaining to the experience of the creative process and the studio, and link these thoughts to aspects of walking. The appendix contains a complete reproduction of the pages of a publication made to accompany my thesis exhibition. This document constitutes the crux of my work. It is a compendium of fragments; stories, questions, images and quotes pertaining to my studio practice. In both form and style, it seeks to communicate authentically the aspects of my practice that refuse straightforward written definition."]},{"key":"dc:title","label":"Title","values":["Mobile : painting as a practice of peregrination"]}]}],"canonical_facts":{"dc:date.issued":["2014"],"dc:description.other":["Walking is a practice which parallels and criss-crosses my painting practice. Each mutually informs the other, creating a mobile with which I think about and experience the world. Before seeking to elucidate the knowledge that has developed therein, I reflect on the resistance visual art places on language, and consider the difference between art theory and a theory of practice. I delineate foundational ideas pertaining to the experience of the creative process and the studio, and link these thoughts to aspects of walking. The appendix contains a complete reproduction of the pages of a publication made to accompany my thesis exhibition. This document constitutes the crux of my work. It is a compendium of fragments; stories, questions, images and quotes pertaining to my studio practice. In both form and style, it seeks to communicate authentically the aspects of my practice that refuse straightforward written definition."],"dc:identifier":["hdl:10133/3624"],"dc:subject":["painting","walking","installation"],"dc:title":["Mobile : painting as a practice of peregrination"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T20:02:17Z"}