“The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic

<p>Explored in this work are three texts: Cormac McCarthy’s novel, <em>The Road</em>; Douglas Coupland’s novel, <em>Girlfriend in a Coma</em>; and Robert Kirkman’s ongoing serialized comic book, <em>The Walking Dead</em>. After a discussion of apocalyptic and postapocalyptic fictions and their ubiquity and popularity in contemporary culture, each work will be analyzed individually to explore each author’s message regarding postapocalyptic concerns. These three texts have been chosen as each represents a point along a loose continuum of high-to-low art. Primarily, this thesis will focus on how each author approaches systems of meaning-making and systems of understanding in postapocalyptic settings and texts. This analysis will examine how characters must reevaluate and find new ways of understanding in order to navigate their postapocalyptic landscapes and how authors defamiliarize contemporary culture and society with these postapocalytptic texts.</p>

Name thesis:degree_name

Master of Arts

Level thesis:degree_level

Thesis

Discipline thesis:degree_discipline

English

Year dc:date.available

2011

Author dc:creator

• Chellino, Joe

Contributors dc:contributor

• Christopher T. White, Ph.D.
• Jason Zingsheim, Ph. D.
• Rosemary Johnsen, Ph.D.

• American Popular Culture
• Modern Literature

Repository record dc:identifier

https://opus.govst.edu/theses/13

OAI identifier oai:identifier

oai:opus.govst.edu:theses-1017