Explored in this work are three texts: Cormac McCarthy’s novel, The Road; Douglas Coupland’s novel, Girlfriend in a Coma; and Robert Kirkman’s ongoing serialized comic book, The Walking Dead. After a discussion of apocalyptic and postapocalyptic fictions and their ubiquity and popularity in contemporary culture, each work will be analyzed individually to explore each author’s message regarding postapocalyptic concerns. These three texts have been chosen as each represents a point along a loose continuum of high-to-low art. Primarily, this thesis will focus on how each author approaches systems of meaning-making and systems of understanding in postapocalyptic settings and texts. This analysis will examine how characters must reevaluate and find new ways of understanding in order to navigate their postapocalyptic landscapes and how authors defamiliarize contemporary culture and society with these postapocalytptic texts.
","abstract_html":"<p>Explored in this work are three texts: Cormac McCarthy’s novel, <em>The Road</em>; Douglas Coupland’s novel, <em>Girlfriend in a Coma</em>; and Robert Kirkman’s ongoing serialized comic book, <em>The Walking Dead</em>. After a discussion of apocalyptic and postapocalyptic fictions and their ubiquity and popularity in contemporary culture, each work will be analyzed individually to explore each author’s message regarding postapocalyptic concerns. These three texts have been chosen as each represents a point along a loose continuum of high-to-low art. Primarily, this thesis will focus on how each author approaches systems of meaning-making and systems of understanding in postapocalyptic settings and texts. This analysis will examine how characters must reevaluate and find new ways of understanding in order to navigate their postapocalyptic landscapes and how authors defamiliarize contemporary culture and society with these postapocalytptic texts.</p>","abstract_has_math":false,"creators":["Chellino, Joe"],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Christopher T. White, Ph.D.","Jason Zingsheim, Ph. D.","Rosemary Johnsen, Ph.D."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-04-01T07:00:00Z","date_published":"2011-04-01T07:00:00Z","updated_at":"2026-07-24T02:24:36Z","subjects":["American Popular Culture","Modern Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://opus.govst.edu/theses/13","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Christopher T. White, Ph.D.","Jason Zingsheim, Ph. D.","Rosemary Johnsen, Ph.D."]},{"key":"dc:creator","label":"Author","values":["Chellino, Joe"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-06-12T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American Popular Culture","Modern Literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://opus.govst.edu/theses/13"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Explored in this work are three texts: Cormac McCarthy’s novel, The Road; Douglas Coupland’s novel, Girlfriend in a Coma; and Robert Kirkman’s ongoing serialized comic book, The Walking Dead. After a discussion of apocalyptic and postapocalyptic fictions and their ubiquity and popularity in contemporary culture, each work will be analyzed individually to explore each author’s message regarding postapocalyptic concerns. These three texts have been chosen as each represents a point along a loose continuum of high-to-low art. Primarily, this thesis will focus on how each author approaches systems of meaning-making and systems of understanding in postapocalyptic settings and texts. This analysis will examine how characters must reevaluate and find new ways of understanding in order to navigate their postapocalyptic landscapes and how authors defamiliarize contemporary culture and society with these postapocalytptic texts.
"]},{"key":"dc:title","label":"Title","values":["“The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic"]}]}],"canonical_facts":{"dc:contributor":["Christopher T. White, Ph.D.","Jason Zingsheim, Ph. D.","Rosemary Johnsen, Ph.D."],"dc:creator":["Chellino, Joe"],"dc:date.available":["2014-06-12T07:00:00Z"],"dc:description.abstract":["Explored in this work are three texts: Cormac McCarthy’s novel, The Road; Douglas Coupland’s novel, Girlfriend in a Coma; and Robert Kirkman’s ongoing serialized comic book, The Walking Dead. After a discussion of apocalyptic and postapocalyptic fictions and their ubiquity and popularity in contemporary culture, each work will be analyzed individually to explore each author’s message regarding postapocalyptic concerns. These three texts have been chosen as each represents a point along a loose continuum of high-to-low art. Primarily, this thesis will focus on how each author approaches systems of meaning-making and systems of understanding in postapocalyptic settings and texts. This analysis will examine how characters must reevaluate and find new ways of understanding in order to navigate their postapocalyptic landscapes and how authors defamiliarize contemporary culture and society with these postapocalytptic texts.
"],"dc:identifier":["https://opus.govst.edu/theses/13"],"dc:subject":["American Popular Culture","Modern Literature"],"dc:title":["“The Day Everything Became Nothing”: Finding Meaning in the Postapocalyptic"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:24:36Z"}