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Central Washington University

Effects of Cubism on American Painting Since 1914

Abstract

dc:description.abstract

<p>The problem will consist of establishing the beliefs, theories, and methodology of the Cubist movement as formulated by the members of a Parisian group of artists known as Le Groupe du Bateau-Lavoir. The next step will be to attempt to discover these factors in representative paintings produced in America subsequent to 1914. The final step will be to show the extent of the influences by reproducing selected American paintings, quoting current writers, and drawing conclusions.</p>

Degree

thesis:*
Name thesis:degree_name
Master of Education (MEd)
Discipline thesis:degree_discipline
Education
Year
1968

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Brodin, Carl W.
Contributors dc:contributor
  • Edward C. Haines
  • Louis A. Kollmeyer
  • Alexander H. Howard, Jr.

Subjects

dc:subject × 5

Rights

Language dc:language
English

Identifiers

dc:identifier.*
Repository record dc:identifier
https://digitalcommons.cwu.edu/etd/811
OAI identifier oai:identifier
oai:digitalcommons.cwu.edu:etd-1836

Chain of custody

source
Harvested from
Central Washington University
Base URL
digitalcommons.cwu.edu/do/oai/
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Brodin, Carl W.. Effects of Cubism on American Painting Since 1914. 1968. https://digitalcommons.cwu.edu/etd/811