{"id":{"repo_id":"york","oai_identifier":"oai:yorkspace.library.yorku.ca:10315/43079"},"canonical_url":"https://search.dev.ndltd.org/etd/york/oai:yorkspace.library.yorku.ca:10315/43079","repository":{"repo_id":"york","name":"York University","base_url":"https://yorkspace.library.yorku.ca/oai/request"},"display":{"title":"Media Dance: An Art Form - The Intersection of Art, Technologies, and Bodies in Motion","abstract":"Media dance, as an umbrella term, building on its screendance roots, is a hybrid art form, one that operates at the intersection of dance (body in motion) and technology, with the frame of the screen in mind. In effect, media dance involves a conversation between the creator engaging with media dance, who must embrace all the possibilities of movement, dance, and technology, and the choreographer, who must grasp the possibilities of media as an art, while understanding the potential to create new kinds of works through the capture of movement and the power of editing. Building on and supported by a substantial review of the screendance literature, case study analysis, and interviews with leading Canadian and international screendance scholars, practitioners, and film festival curators, this research investigates the critical debates animating the screendance field today. The dissertation addresses one central research question in particular: is media dance, building on its screendance foundation, an art form with a viable future in a post-pandemic, technologically mediated world?","abstract_html":"Media dance, as an umbrella term, building on its screendance roots, is a hybrid art form, one that operates at the intersection of dance (body in motion) and technology, with the frame of the screen in mind. In effect, media dance involves a conversation between the creator engaging with media dance, who must embrace all the possibilities of movement, dance, and technology, and the choreographer, who must grasp the possibilities of media as an art, while understanding the potential to create new kinds of works through the capture of movement and the power of editing. Building on and supported by a substantial review of the screendance literature, case study analysis, and interviews with leading Canadian and international screendance scholars, practitioners, and film festival curators, this research investigates the critical debates animating the screendance field today. The dissertation addresses one central research question in particular: is media dance, building on its screendance foundation, an art form with a viable future in a post-pandemic, technologically mediated world?","abstract_has_math":false,"creators":["Turnbull, George Samath"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Zryd, Michael"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-07-23","date_published":"2025-07-23","updated_at":"2026-07-24T06:33:49Z","subjects":["Film studies","Dance","Performing arts"],"languages":["en"],"rights":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10315/43079","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Zryd, Michael"]},{"key":"dc:creator","label":"Author","values":["Turnbull, George Samath"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-23T15:25:08Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-23T15:25:08Z"]},{"key":"dc:date.issued","label":"Date","values":["2025-07-23"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Film studies","Dance","Performing arts"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Author owns copyright, except where explicitly noted. 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In effect, media dance involves a conversation between the creator engaging with media dance, who must embrace all the possibilities of movement, dance, and technology, and the choreographer, who must grasp the possibilities of media as an art, while understanding the potential to create new kinds of works through the capture of movement and the power of editing. Building on and supported by a substantial review of the screendance literature, case study analysis, and interviews with leading Canadian and international screendance scholars, practitioners, and film festival curators, this research investigates the critical debates animating the screendance field today. 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