{"id":{"repo_id":"york","oai_identifier":"oai:yorkspace.library.yorku.ca:10315/42192"},"canonical_url":"https://search.dev.ndltd.org/etd/york/oai:yorkspace.library.yorku.ca:10315/42192","repository":{"repo_id":"york","name":"York University","base_url":"https://yorkspace.library.yorku.ca/oai/request"},"display":{"title":"Grieving (and) Weaving (and) Spreading (and) Becoming","abstract":"Our interactions with personal ephemera - a home, a recovered letter, an expired bank card, an arranged breakfast table, a church stained glass window, an enclosed corner, your mother’s rosary, a childhood bedroom - give way to the psychological investigations of the self. In this thesis paper, Grieving (and) Weaving (and) Spreading (and) Becoming, I will explore my practice of subverting and incorporating found images, video, Slavic motifs, text and text(iles) in a disembodied search for identity, reconnection and softness. My arts-informed research project uses weaving methodologies, our personal archives among the discourse of grief, trauma, the domestic space, ritual, religion and gendered domestic labour. Through works of embroidery, image-making, performance, installation this paper aims to include a “distraction-as-ceremony” based methodology, similar to weaving methodologies, as a form of reconnection to our roots and our identities. In this paper, I will be using my Polish heritage as reference. In what ways can recreating, assembling, manipulating ephemera, space, language and the archive be used as a tool for a softer, slower, more patient future?","abstract_html":"Our interactions with personal ephemera - a home, a recovered letter, an expired bank card, an arranged breakfast table, a church stained glass window, an enclosed corner, your mother’s rosary, a childhood bedroom - give way to the psychological investigations of the self. In this thesis paper, Grieving (and) Weaving (and) Spreading (and) Becoming, I will explore my practice of subverting and incorporating found images, video, Slavic motifs, text and text(iles) in a disembodied search for identity, reconnection and softness. My arts-informed research project uses weaving methodologies, our personal archives among the discourse of grief, trauma, the domestic space, ritual, religion and gendered domestic labour. Through works of embroidery, image-making, performance, installation this paper aims to include a “distraction-as-ceremony” based methodology, similar to weaving methodologies, as a form of reconnection to our roots and our identities. In this paper, I will be using my Polish heritage as reference. In what ways can recreating, assembling, manipulating ephemera, space, language and the archive be used as a tool for a softer, slower, more patient future?","abstract_has_math":false,"creators":["Spiljak, Veronica Jacqueline"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Vickerd, Brandon"],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-07-18","date_published":"2024-07-18","updated_at":"2026-07-24T06:33:49Z","subjects":["Accounting"],"languages":["en"],"rights":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10315/42192","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Vickerd, Brandon"]},{"key":"dc:creator","label":"Author","values":["Spiljak, Veronica Jacqueline"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-07-18T21:27:17Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-07-18T21:27:17Z"]},{"key":"dc:date.issued","label":"Date","values":["2024-07-18"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Accounting"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Author owns copyright, except where explicitly noted. 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My arts-informed research project uses weaving methodologies, our personal archives among the discourse of grief, trauma, the domestic space, ritual, religion and gendered domestic labour. Through works of embroidery, image-making, performance, installation this paper aims to include a “distraction-as-ceremony” based methodology, similar to weaving methodologies, as a form of reconnection to our roots and our identities. In this paper, I will be using my Polish heritage as reference. In what ways can recreating, assembling, manipulating ephemera, space, language and the archive be used as a tool for a softer, slower, more patient future?"]},{"key":"dc:title","label":"Title","values":["Grieving (and) Weaving (and) Spreading (and) Becoming"]}]}],"canonical_facts":{"dc:contributor.advisor":["Vickerd, Brandon"],"dc:creator":["Spiljak, Veronica Jacqueline"],"dc:date.accessioned":["2024-07-18T21:27:17Z"],"dc:date.available":["2024-07-18T21:27:17Z"],"dc:date.issued":["2024-07-18"],"dc:description.abstract":["Our interactions with personal ephemera - a home, a recovered letter, an expired bank card, an arranged breakfast table, a church stained glass window, an enclosed corner, your mother’s rosary, a childhood bedroom - give way to the psychological investigations of the self. In this thesis paper, Grieving (and) Weaving (and) Spreading (and) Becoming, I will explore my practice of subverting and incorporating found images, video, Slavic motifs, text and text(iles) in a disembodied search for identity, reconnection and softness. My arts-informed research project uses weaving methodologies, our personal archives among the discourse of grief, trauma, the domestic space, ritual, religion and gendered domestic labour. Through works of embroidery, image-making, performance, installation this paper aims to include a “distraction-as-ceremony” based methodology, similar to weaving methodologies, as a form of reconnection to our roots and our identities. In this paper, I will be using my Polish heritage as reference. 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