{"id":{"repo_id":"york","oai_identifier":"oai:yorkspace.library.yorku.ca:10315/35810"},"canonical_url":"https://search.dev.ndltd.org/etd/york/oai:yorkspace.library.yorku.ca:10315/35810","repository":{"repo_id":"york","name":"York University","base_url":"https://yorkspace.library.yorku.ca/oai/request"},"display":{"title":"The Importance of the Non-Important Re-Orientations","abstract":"A multi-layered exploration of three central issues regarding the production of my artistic works. The combination of chance, non-conscious cognition combined with biological, social, and political constraints generate strategies that produce new conceptual readings and reframe modes of existence. Secondly, the mediation of these entanglements through instrumentality complements the ways in which artistic awareness is grounded in multiple body states, that seek the formation of new ways of feeling, seeing, thinking, and re-representing. And border thinking, understood as the superposition of multiple fully complex modes of existence and not in betweens. These intricate clusters of relations provoke nonconventional ways to resist material and conceptual hierarchies that in turn spark the creation of experimental artistic works that reflect multiple positioning in the search for authenticity or autonomy.","abstract_html":"A multi-layered exploration of three central issues regarding the production of my artistic works. The combination of chance, non-conscious cognition combined with biological, social, and political constraints generate strategies that produce new conceptual readings and reframe modes of existence. Secondly, the mediation of these entanglements through instrumentality complements the ways in which artistic awareness is grounded in multiple body states, that seek the formation of new ways of feeling, seeing, thinking, and re-representing. And border thinking, understood as the superposition of multiple fully complex modes of existence and not in betweens. These intricate clusters of relations provoke nonconventional ways to resist material and conceptual hierarchies that in turn spark the creation of experimental artistic works that reflect multiple positioning in the search for authenticity or autonomy.","abstract_has_math":false,"creators":["Lozano, Jorge"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Tenhaaf, Petronella"],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-03-05","date_published":"2019-03-05","updated_at":"2026-07-24T06:33:40Z","subjects":["Art criticism"],"languages":["en"],"rights":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10315/35810","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Tenhaaf, Petronella"]},{"key":"dc:creator","label":"Author","values":["Lozano, Jorge"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2019-03-05T14:43:30Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2019-03-05T14:43:30Z"]},{"key":"dc:date.issued","label":"Date","values":["2019-03-05"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Art criticism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Author owns copyright, except where explicitly noted. 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And border thinking, understood as the superposition of multiple fully complex modes of existence and not in betweens. These intricate clusters of relations provoke nonconventional ways to resist material and conceptual hierarchies that in turn spark the creation of experimental artistic works that reflect multiple positioning in the search for authenticity or autonomy."]},{"key":"dc:title","label":"Title","values":["The Importance of the Non-Important Re-Orientations"]}]}],"canonical_facts":{"dc:contributor.advisor":["Tenhaaf, Petronella"],"dc:creator":["Lozano, Jorge"],"dc:date.accessioned":["2019-03-05T14:43:30Z"],"dc:date.available":["2019-03-05T14:43:30Z"],"dc:date.issued":["2019-03-05"],"dc:description.abstract":["A multi-layered exploration of three central issues regarding the production of my artistic works. The combination of chance, non-conscious cognition combined with biological, social, and political constraints generate strategies that produce new conceptual readings and reframe modes of existence. Secondly, the mediation of these entanglements through instrumentality complements the ways in which artistic awareness is grounded in multiple body states, that seek the formation of new ways of feeling, seeing, thinking, and re-representing. And border thinking, understood as the superposition of multiple fully complex modes of existence and not in betweens. These intricate clusters of relations provoke nonconventional ways to resist material and conceptual hierarchies that in turn spark the creation of experimental artistic works that reflect multiple positioning in the search for authenticity or autonomy."],"dc:identifier.uri":["http://hdl.handle.net/10315/35810"],"dc:language.iso":["en"],"dc:rights":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."],"dc:subject":["Art criticism"],"dc:title":["The Importance of the Non-Important Re-Orientations"],"dc:type":["Electronic Thesis or Dissertation"]},"updated_at":"2026-07-24T06:33:40Z"}