{"id":{"repo_id":"york","oai_identifier":"oai:yorkspace.library.yorku.ca:10315/34993"},"canonical_url":"https://search.dev.ndltd.org/etd/york/oai:yorkspace.library.yorku.ca:10315/34993","repository":{"repo_id":"york","name":"York University","base_url":"https://yorkspace.library.yorku.ca/oai/request"},"display":{"title":"When Suddenly the Limb Did Quiver","abstract":"This support paper serves to outline the motivations, methods, and outcomes of the conjuring practice that is my graduate research. I am concerned with the notion of an encounter, a passing or touching between beings and objects especially those that go unnoticed, or barely so. Utilizing materials that possess heightened sensitivities to touch, time, and light, I engage with objects and imaging technologies in order to conjure such imperceptible presences into a state of emergence through an intuitively-led practice of art. 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