{"id":{"repo_id":"york","oai_identifier":"oai:yorkspace.library.yorku.ca:10315/34247"},"canonical_url":"https://search.dev.ndltd.org/etd/york/oai:yorkspace.library.yorku.ca:10315/34247","repository":{"repo_id":"york","name":"York University","base_url":"https://yorkspace.library.yorku.ca/oai/request"},"display":{"title":"Felt/felt","abstract":"This paper parallels the series of artworks in my thesis exhibition entitled \"felt/felt\", wherein large-scale industrial felt sculptures explore a relationship between sensorial bodily experience and psychological state. The artworks use space and form, with a particular interest in solitude, slowness, and sensory perception, to engender a gradual shift in consciousness through physiological engagement. I use processes such as wrapping, binding, and hanging, working with industrial felts disposition and navigating between asserting rigour and relinquishing control to develop form. The geometries that arise have a certain minimal formal austerity while embracing felts subtle yet irrepressible unruliness. There is a conversation between material, form, and experience in each of these sculptures. This paper fleshes out the significance of materiality, formal language, methodology, experiential impetus, and contemporary urgency to this body of work.","abstract_html":"This paper parallels the series of artworks in my thesis exhibition entitled "felt/felt", wherein large-scale industrial felt sculptures explore a relationship between sensorial bodily experience and psychological state. The artworks use space and form, with a particular interest in solitude, slowness, and sensory perception, to engender a gradual shift in consciousness through physiological engagement. I use processes such as wrapping, binding, and hanging, working with industrial felts disposition and navigating between asserting rigour and relinquishing control to develop form. The geometries that arise have a certain minimal formal austerity while embracing felts subtle yet irrepressible unruliness. There is a conversation between material, form, and experience in each of these sculptures. This paper fleshes out the significance of materiality, formal language, methodology, experiential impetus, and contemporary urgency to this body of work.","abstract_has_math":false,"creators":["Bleiwas, Ellen Rose Laura"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Balfour, Barbara"],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-03-01","date_published":"2018-03-01","updated_at":"2026-07-24T06:34:05Z","subjects":["Fine arts"],"languages":["en"],"rights":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10315/34247","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Balfour, Barbara"]},{"key":"dc:creator","label":"Author","values":["Bleiwas, Ellen Rose Laura"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2018-03-01T13:43:58Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2018-03-01T13:43:58Z"]},{"key":"dc:date.issued","label":"Date","values":["2018-03-01"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Fine arts"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Author owns copyright, except where explicitly noted. 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The geometries that arise have a certain minimal formal austerity while embracing felts subtle yet irrepressible unruliness. There is a conversation between material, form, and experience in each of these sculptures. This paper fleshes out the significance of materiality, formal language, methodology, experiential impetus, and contemporary urgency to this body of work."]},{"key":"dc:title","label":"Title","values":["Felt/felt"]}]}],"canonical_facts":{"dc:contributor.advisor":["Balfour, Barbara"],"dc:creator":["Bleiwas, Ellen Rose Laura"],"dc:date.accessioned":["2018-03-01T13:43:58Z"],"dc:date.available":["2018-03-01T13:43:58Z"],"dc:date.issued":["2018-03-01"],"dc:description.abstract":["This paper parallels the series of artworks in my thesis exhibition entitled \"felt/felt\", wherein large-scale industrial felt sculptures explore a relationship between sensorial bodily experience and psychological state. The artworks use space and form, with a particular interest in solitude, slowness, and sensory perception, to engender a gradual shift in consciousness through physiological engagement. I use processes such as wrapping, binding, and hanging, working with industrial felts disposition and navigating between asserting rigour and relinquishing control to develop form. The geometries that arise have a certain minimal formal austerity while embracing felts subtle yet irrepressible unruliness. There is a conversation between material, form, and experience in each of these sculptures. This paper fleshes out the significance of materiality, formal language, methodology, experiential impetus, and contemporary urgency to this body of work."],"dc:identifier.uri":["http://hdl.handle.net/10315/34247"],"dc:language.iso":["en"],"dc:rights":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."],"dc:subject":["Fine arts"],"dc:title":["Felt/felt"],"dc:type":["Electronic Thesis or Dissertation"]},"updated_at":"2026-07-24T06:34:05Z"}