{"id":{"repo_id":"york","oai_identifier":"oai:yorkspace.library.yorku.ca:10315/30064"},"canonical_url":"https://search.dev.ndltd.org/etd/york/oai:yorkspace.library.yorku.ca:10315/30064","repository":{"repo_id":"york","name":"York University","base_url":"https://yorkspace.library.yorku.ca/oai/request"},"display":{"title":"Body, Mat, Mark-Making","abstract":"I explore painting and drawing through a binding of its performative activity with the practice of Brazilian Jiu-jitsu. Constraints are put in place to impose constant and abrupt switching between mark-making and grappling activity. The repetition involved in this structure fuses these two distinct activities into one. The experience of mushin (no-mind), a state one enters when deeply immersed in martial art activity, overlaps into the process of mark-making. This experience of mark-making subsequently influences the activity on the mat. Affect, as a pre-cognitive entity, participates alongside conscious activity in this feedback loop of influences. From this view, I revisit the idea of constraint and mushin. The resulting works depict fragmented bodies-in-process, produced under a state of mushin that involves the constrained combination of unconscious and conscious, mental and bodily influences.","abstract_html":"I explore painting and drawing through a binding of its performative activity with the practice of Brazilian Jiu-jitsu. Constraints are put in place to impose constant and abrupt switching between mark-making and grappling activity. The repetition involved in this structure fuses these two distinct activities into one. The experience of mushin (no-mind), a state one enters when deeply immersed in martial art activity, overlaps into the process of mark-making. This experience of mark-making subsequently influences the activity on the mat. Affect, as a pre-cognitive entity, participates alongside conscious activity in this feedback loop of influences. From this view, I revisit the idea of constraint and mushin. The resulting works depict fragmented bodies-in-process, produced under a state of mushin that involves the constrained combination of unconscious and conscious, mental and bodily influences.","abstract_has_math":false,"creators":["Harber, Scott"],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Lau, Yam K."],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-08-28","date_published":"2015-08-28","updated_at":"2026-07-24T06:33:40Z","subjects":["Fine arts","Philosophy"],"languages":["en"],"rights":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/10315/30064","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Lau, Yam K."]},{"key":"dc:creator","label":"Author","values":["Harber, Scott"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2015-08-28T15:34:56Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2015-08-28T15:34:56Z"]},{"key":"dc:date.issued","label":"Date","values":["2015-08-28"]},{"key":"dc:type","label":"Dc Type","values":["Electronic Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Fine arts","Philosophy"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/10315/30064"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["I explore painting and drawing through a binding of its performative activity with the practice of Brazilian Jiu-jitsu. Constraints are put in place to impose constant and abrupt switching between mark-making and grappling activity. The repetition involved in this structure fuses these two distinct activities into one. The experience of mushin (no-mind), a state one enters when deeply immersed in martial art activity, overlaps into the process of mark-making. This experience of mark-making subsequently influences the activity on the mat. Affect, as a pre-cognitive entity, participates alongside conscious activity in this feedback loop of influences. From this view, I revisit the idea of constraint and mushin. The resulting works depict fragmented bodies-in-process, produced under a state of mushin that involves the constrained combination of unconscious and conscious, mental and bodily influences."]},{"key":"dc:title","label":"Title","values":["Body, Mat, Mark-Making"]}]}],"canonical_facts":{"dc:contributor.advisor":["Lau, Yam K."],"dc:creator":["Harber, Scott"],"dc:date.accessioned":["2015-08-28T15:34:56Z"],"dc:date.available":["2015-08-28T15:34:56Z"],"dc:date.issued":["2015-08-28"],"dc:description.abstract":["I explore painting and drawing through a binding of its performative activity with the practice of Brazilian Jiu-jitsu. Constraints are put in place to impose constant and abrupt switching between mark-making and grappling activity. The repetition involved in this structure fuses these two distinct activities into one. The experience of mushin (no-mind), a state one enters when deeply immersed in martial art activity, overlaps into the process of mark-making. This experience of mark-making subsequently influences the activity on the mat. Affect, as a pre-cognitive entity, participates alongside conscious activity in this feedback loop of influences. From this view, I revisit the idea of constraint and mushin. The resulting works depict fragmented bodies-in-process, produced under a state of mushin that involves the constrained combination of unconscious and conscious, mental and bodily influences."],"dc:identifier.uri":["http://hdl.handle.net/10315/30064"],"dc:language.iso":["en"],"dc:rights":["Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests."],"dc:subject":["Fine arts","Philosophy"],"dc:title":["Body, Mat, Mark-Making"],"dc:type":["Electronic Thesis or Dissertation"]},"updated_at":"2026-07-24T06:33:40Z"}